Wagner Society Male Choir ‰‰‘tƒ‰ƒCƒuƒ‰ƒŠ[

b’艉bŽl˜Ab˜Z˜AbƒJƒŒƒbƒWEƒ\ƒ“ƒObOB‡¥’cb‹ÈW–¼ƒŠƒXƒgbæ¶”N•ˆbŠwŽwŠö—ñ“`bƒz[ƒ€‚ցb

˜Z˜A‰‰‘t‰ï

‰‰ ‘t ‹È

ê Š

57‰ñ˜Z˜A
( 2008.5.3 )
s•½¬ 20”Nt
yƒG[ƒ‹ŒğŠ½z u–@­vu“Œ‘åvu—§‹³vu‘ˆî“cvu–¾Ž¡v¢Œcœäv
y–@­z w‰ñ•—‰Ìxi–Ø“‡ŽnìŽC‚‹´—IŽ¡ì‹Èj “c’†MºŽwŠö@uIvuIIvuIIIv
y“Œ‘åz wLe veglie di Sienax‚æ‚è iOrazio Vecchi ì‹Èj —L‘º—S•ãŽwŠö@uImitation del Siciliano iƒVƒ`ƒŠƒAl‚Ì•¨^Ž—jvuImitation della Villanella i“cŽÉ–º‚Ì•¨^Ž—jvuImitation del Tedesco iƒhƒCƒcl‚Ì•¨^Ž—jvuImitation del Francese iƒtƒ‰ƒ“ƒXl‚Ì•¨^Ž—jvuImitation del Venetiano iƒ”ƒFƒlƒcƒBƒAl‚Ì•¨^Ž—jv
y—§‹³z w’†Š¨•‚ÌŽ‚©‚çxi’†Š¨•ìŽC‘½“c••Fì‹Èj ûüâ“OŽwŠö@¢ŠG“úŽPvu’ցvuŽl\vu‚قق¶‚ë‚̐ºvu‚©‚à‚߁vu‚ӂ蔄‚èvu’ljHªv
y‘ˆî“cz wƒƒZƒOƒŠ THE MOVIE -Œ|pŒ€ê‚𕕍½‚¹‚æ-xi‰F“cìˆÀ–¾•Ò‹Èj ˆäã—Y‰îŽwŠöC‘å’¬‰•äP@¢OPENING£¢Star Wars£¢ƒZ[ƒ‰[•ž‚Æ‹@ŠÖe£¢Šw‰€“V‘£¢ƒ^[ƒ~ƒl[ƒ^[£¢My heart will go on£¢‰J‚ɉS‚¦‚΁vuTonightvuStand by mevu”R‚¦‚æƒhƒ‰ƒSƒ“vuŽc“‚È“VŽg‚̃e[ƒ[vu”Ş‚±‚»‚ªŠC‘¯vuOH HAPPY DAYvuLove Somebodyv
y–¾Ž¡z w‚قق¦‚݁xi—é–ØŒ›•vì‹Èj ŠOŽR_Ž¢ŽwŠöC¬—ÑŒ÷P@u‚ӂ邳‚Æ‚Ì–Ø‚Ì—t‚̉wvu“²‚êvu’©‚Ɂvu‚Ğ‚Æ‚Ğ‚ç‚̉Ԃтçvu‚ß‚®‚è‚ ‚¢‚Ì’†‚Ɂvu‚قق¦‚݁v
yŒcœäz w¡‚Å‚àEEEƒ[ƒZƒL‚Í–‚–@‚̏ñxiŽÄ–ì—˜•FìŽC‰““¡‰ë•vì‹Èj ˆÉ“¡{‘¾˜YŽwŠö@uˆì‚ê‚éò‚Í“úX‚ğ„‚èvu“¹˜H‚Í‹‘å‚ȃLƒƒƒ“ƒoƒXvu‰Š‚̂悤‚Ɂvu‘u‚â‚©‚ȃŒƒ‚ƒ“‚Ì•—vu[‚¢–°‚è‚É•ï‚Ü‚ê‚āvu–¾‚é‚¢Œõ‚É–ž‚¿‚½‹Gß‚͌˘f‚¢‚ğŽ~‚߁v
y‡“¯z wV‚µ‚¢‰ÌxiM’·‹M•xì‹Èj ´…‰ë•FŽwŠöC—é–ؐ^—ŽqE—é–؉iŽqP@uV‚µ‚¢‰ÌviF.G. ƒƒ‹ƒJìŽC’·’JìŽl˜Y–󎍁j/u‚¤‚½‚ğ‚¤‚½‚¤‚Æ‚«vi‚܂ǁE‚İ‚¿‚¨ìŽj/u‚«‚݉̂¦‚ævi’Jìr‘¾˜YìŽj/u’Á°‰Ì‚ւ̃ŠƒNƒGƒXƒgviL. ƒqƒ…[ƒYìŽC–Ø“‡Žn–󎍁j/uˆêŽl‚̍Ōã‚̉́viƒAƒ“ƒfƒ‹ƒZƒ“ìŽCŽR‘ºÃ–󎍁j
yƒAƒ“ƒR[ƒ‹z u‚Æ‚È‚è‚̃gƒgƒv
“Œ‹žŒ|pŒ€ê
56‰ñ˜Z˜A
( 2007.5.4 )
s•½¬ 19”Nt
yƒG[ƒ‹ŒğŠ½z u–@­v¢Œcœävu–¾Ž¡vu—§‹³vu‘ˆî“cvu“Œ‘åv
y–@­z wEtudes for Chorusx‚æ‚è iŠÔ‹{–F¶ì‹Èj “c’†MºŽwŠö@uEtude VI furyu •——¬vuEtude IvuEtude IIvuEtude IIIvuEtude IVvuEtude V fifth 5“x‚̃Gƒ`ƒ…[ƒhvuEtude VII rhythm and shoga ƒŠƒYƒ€ƒGƒ`ƒ…[ƒhi¥‰Ìjv
yŒcœäz wŒÜ‚‚̃‰ƒƒ“ƒgxi‘–ìS•½ìŽCœA£—Ê•½ì‹Èj ŠÖ–ì—S•½ŽwŠö u\Žš‰Ëvu‚³‚悤‚È‚çˆê–œ”Nvu“V‚̃xƒ“ƒ`vuƒI[ƒ{ƒG‚̉_ i\“ñÎ‚̏¬—Ñ–¾Žq‚³‚ñ‚É‚¨‚­‚éjvuVolga iƒ^ƒVƒPƒ“ƒgEƒ‚ƒXƒNƒŠÔ‚Ì‹@ã‚ɂājv
y–¾Ž¡z wƒVƒ…[ƒxƒ‹ƒg’jº‡¥‹ÈWxiFranz Schubert ì‹Èj ŠOŽR_Ž¢ŽwŠöC¬—ÑŒ÷PCŒI“c^”¿ ƒƒ]ƒ\ƒvƒ‰ƒm@uWiderspruchvuStändchenvuGott in der Naturv
y—§‹³z wTHE STUDENT PRINCExiDOROTHY DONNELLY ìŽŒCSIGMUND ROMBERG ì‹Èj ûüâ“OŽwŠöC‹v玔V‹XP@¢Golden Daysi‹P‚¯‚é“úXjvuDrinking SongiŠ£”t‚̉́jvuDeep in My Heart Deari‚킪S‚ÉŒN[‚­jvuStudent Lifei–l‚ç‚ÌŠw¶¶ŠˆjvuSerenadeiƒZƒŒƒi[ƒfjvuStudent March SongiŠw¶‘à‚̍si‹Èjv
y‘ˆî“cz w‚¨ŒZ‚³‚ñ‚Æ‚¢‚Á‚µ‚åôxi‘å’|‚­‚ݕҋȁj ¯‰ë‹MŽwŠöC•½ŽRŠìŽq ƒGƒŒƒNƒg[ƒ“ ¢“ú–{Ì‚΂Ȃµ£¢ƒRƒ“ƒsƒ…[ƒ^[‚¨‚΂ ‚¿‚á‚ñ£¢ƒNƒ}‚Ì‚Ê‚¢‚®‚é‚İ£¢“ì‚Ì“‡‚̃nƒƒnƒƒn‘剤£¢Û‚¾ƒ]ƒE£¢‚¨‚È‚©‚̂ւ邤‚½£¢‚¨‚æ‚°I ‚½‚¢‚â‚«‚­‚ñvu‚Í‚İ‚ª‚«‚¶‚傤‚¸‚©‚ȁvuƒAƒ‹ƒSƒŠƒYƒ€‚½‚¢‚»‚¤vu‚¨‚µ‚èƒtƒŠƒtƒŠvuƒAƒ‹ƒSƒŠƒYƒ€‚±‚¤‚µ‚ñvu‚Í‚½‚ç‚­‚­‚é‚܁vu‚³‚Æ‚¤‚«‚Ñ”¨vu‚É‚ñ‚°‚ñ‚Ä‚¢‚¢‚ȁv
y“Œ‘åz wEncores for choirsx‚æ‚è —L‘º—S•ãŽwŠö@uName that tuneviGrayston Ives ì‹Èj/uGeographical FugueviErnst Toch ì‹Èj/uInsalata ItalianaviRichard Genee ì‹Èj/uViva la musicaviIvan Eröd ì‹Èj
y‡“¯z wŠC‚̍\}xi¬—яƒˆêìŽC’†“cŠì’¼ì‹ÈC•Ÿ‰i—zˆê˜Y•Ò‹Èj ²“¡³_ŽwŠöC‘O“cŸ‘¥P uŠC‚Æ’±vuŠC——çŽ]vu‚©‚à‚߂̉́vu_˜b‚Ì‹lv
yƒAƒ“ƒR[ƒ‹z uThe Music of the NightviAndrew Lloyd Webber ì‹ÈC²“¡³_•Ò‹Èj
“Œ‹žŒ|pŒ€ê
55‰ñ˜Z˜A
( 2006.5.3 )
s•½¬ 18”Nt
yƒG[ƒ‹ŒğŠ½z u–¾Ž¡vu–@­vu‘ˆî“cvu“Œ‘åv¢Œcœävu—§‹³v
y–¾Ž¡z wEnfance finie `‰ß‚¬‹Ž‚肵­”NŽž‘ã` xiŽOD’BŽ¡ìŽC–؉º–qŽqì‹Èj ŠOŽR_Ž¢ŽwŠöC¬—ÑŒ÷P@uEnfance finievu•¨ŒêvušÊ‚ꂽ‘‹vu“û•êŽÔv
y–@­z w”ü—‚¤‚¿Œ©‚ê‚Î -—Ào”鏴‚æ‚è- xiŽÄ“c“ì—Yì‹Èj “c’†MºŽwŠöCrˆä‚Ó‚İŽq ¬ŒÛ@u‚»‚æ‚â ‚±–ö‚É‚æ‚ȁi‘æ\ˆê‰Ìjvu¡—l‚Ɛ\Ž–‚Ì‚¨‚±‚èiŒû“`WŠªˆêjvuŸ‚̍ ‹ž‚É—¬s‚é‚à‚́i‘æŽO˜Z”ª‰ÌC‘æŽO˜Z‹ã‰Ìjvu•‘‚Ö•‘‚Ö嗋i‘æŽl›”ª‰Ìjvu‹à‚ÌŒä›Ô‚É‚ ‚雪—‚́i‘æ“ñ˜ZŒÜ‰Ìjvu”ü—‚¤‚¿Œ©‚ê‚΁i‘æŽOŽl“ñ‰Ìjv
y‘ˆî“cz wƒƒZƒOƒŠ‚¾‚æI‘SˆõW‡Ixi‰F“cìˆÀ–¾•Ò‹Èj Žsì^Ž÷ŽwŠöC–쑺ÊPC“n•Ó‰ë–ç ƒhƒ‰ƒ€@uƒ`ƒ‡ƒbƒg‚¾‚¯ƒˆ ‘SˆõW‡Iviã–ì—⎙E¼Œ´‰ë•FìŽŒj/uƒhƒŠƒt‚̃sƒ“ƒ|ƒ“ƒpƒ“viˆ¢‹v—IìŽŒC¬—шŸ¯ì‹Èj/uƒ~ƒˆ‚¿‚á‚ñvi•½”ö¹WìŽŒEì‹Èj/uƒhƒŠƒt‚̃Yƒ“ƒhƒRßvi‚È‚©‚É‚µ—ç•âŽŒCìŒû^•Ò‹Èj/u“Œ‘ºŽR‰¹“ªvi“y‰®’‰ŽiìŽŒC×ìˆêì‹Èj/uƒhƒŠƒt‚Ì‚Ù‚ñ‚Æ‚É‚Ù‚ñ‚Æ‚É‚²‹ê˜J‚³‚ñvi–쑺r•vŒ´ŽC‚È‚©‚É‚µ—ç‘ÖŽC‘qŽá°¶ì‹Èj/uGo Westvi‰º‘ºŒ[E“c‘º—²ìŽŒC‚½‚©‚µ‚Ü‚ ‚«‚Ğ‚±ì‹Èj/u‚¢‚¢“’‚¾‚ȁvi‰i˜Z•ãìŽŒC‚¢‚¸‚İ‚½‚­ì‹Èj
y“Œ‘åz wBaccanali Veneziani ƒCƒ^ƒŠƒA¢‘­‹ÈWxiDomenico Dragonetti ì‹Èj —L‘º—S•ãŽwŠö@uCampana che suona da luttovuScaranne rotvuAlla guerra soldati de merdavuLa buzaravuLezione di musicav
Šg‘å‰æ–ʂցyŒcœäz w‰iŒ‚Ì’©xi‹{àVŒ«Ž¡ìŽC—é–ØŒ›•vì‹Èj ŽRŠİ‰p¶ŽwŠöC‘O“cŸ‘¥P
y—§‹³z w‚¤‚½‚¤‚ׂ«ŽxiM’·‹M•xì‹Èj ûüâ“OŽwŠöC‹v玔V‹XP@¢K•ŸƒmƒJƒPƒ‰vu‚µ‚ ‚킹vuÁ‘§vu‚¤‚½‚¤‚ׂ«Žv
y‡“¯z w‚ë‚­‚É‚ñ‚̃rƒbƒOƒVƒ‡[xi‹g‰ªOs•Ò‹Èj ˜Z‘åŠwŠw¶ŽwŠöŽÒC“c’†—ŽjPC‚£k‘¢MC@u‚¨˜bv¢SHAKE£iX_”üìŽŒC¬X“cŽÀì‹Èj/¢‚¨˜b£¢£iXŽR—ÇŽqìŽŒCBegin ì‹Èj/¢‚¨˜bvuWE WILL ROCK YOUviNAY BRIAN HAROLD ìŽŒEì‹Èj/u‚¨˜bvu“µ‚ğ‚Æ‚¶‚āvi•½ˆäŒ˜ìŽŒEì‹Èj/u‚¨˜bvu‚ɂ܂‚í‚éƒGƒgƒZƒgƒ‰viˆäã—z…ìŽŒC‰œ“c–¯¶ì‹Èj/u‚¨˜bvuƒTƒ‰ƒCvi’J‘ºVŽiìŽŒC’eŒúìì‹Èj
yƒAƒ“ƒR[ƒ‹z u‚¨˜bvu‚킽‚µ‚Ì‚¤‚½viƒ‰ƒrƒ“ƒhƒ‰ƒi[ƒgEƒ^ƒS[ƒ‹ìŽC‚—Ç—¯”üŽq–󎍁C‹g‰ªOsì‹Èj 
“Œ‹žŒ|pŒ€ê
54‰ñ˜Z˜A
( 2005.5.3 )
s•½¬ 17”Nt
yƒG[ƒ‹ŒğŠ½z u“Œ‘åvu—§‹³vu‘ˆî“cvu–¾Ž¡v¢Œcœävu–@­v
y“Œ‘åz wAdrian Willaert ƒCƒ^ƒŠƒA¢‘­‹ÈWxiAdrian Willaert ì‹Èj —L‘º—S•ãŽwŠö@uSempre mi ride stavuMadonn'io non lo sovuZoia zentilvuSospiri mieivuA quand'a quand'haveavuMadonna mia fav
y—§‹³z wŽOè‚Ì‚¤‚½xi–kŒ´”’HìŽC‘½“c••Fì‹Èj ûüâ“OŽwŠö@u‹u‚ÌŽOŠp”¨vu”’“ì•—•“ì•—vuŠCvu‰J’†¬Œivu–Ž‘gv
y‘ˆî“cz wƒJƒEƒ{[ƒCEƒ|ƒbƒvxiŽ›ŽRCŽiìŽCM’·‹M•xì‹Èjy’jº”ŏ‰‰‰z “ñŠK“°FŽwŠö@uƒJƒEƒ{[ƒCEƒ|ƒbƒvvul‚³‚µŽw”鏴vu”L‚Í‚Ë‚Ş‚é ‰Î‚Ì‚»‚΂Łvu‚ ‚é“úvuƒqƒXƒCv
y–¾Ž¡z wŠ´“I‚È“ñ‚‚̑t–‹ȁxi‹àŽqŒõ°ìŽC‚“ˆ‚İ‚Ç‚èì‹Èj ŠOŽR_Ž¢ŽwŠöC¬—ÑŒ÷P@u‚­‚ç‚°‚̉Svu—Ž‰ºŽPv
yŒcœäz w‚±‚Ì’nãxiûü–ìŠì‹v—YìŽCûü“cŽO˜Yì‹Èj “n糐mŽwŠöCŽRŒ`–¾˜NP@uŒÕvuävu–vu˜@‚̉ԁvu”’‚¢”nv
y–@­z w‹àŽžà‚ÌŽ‚É‚æ‚鍇¥“ñ•Ñxi‹àŽžàìŽC`‘åqì‹Èj “c’†MºŽwŠöC’†“ˆP@u–¾“úi‹GŠú‰AÛ‚æ‚èjvu–»•Ÿ‚ğ‹F‚é‚ȁiŒõBŽ•Ğ‚æ‚èjv
y‡“¯z w‹Gß‚Ö‚Ì‚Ü‚È‚´‚µxiˆÉ“¡ŠC•FìŽC‰¬‹v•Û˜a–¾ì‹Èj ´…‰ë•FŽwŠöC—é–ؐ^—ŽqP@u‚Ğ‚ç‚­vu‚Ì‚Ñ‚évu‚İ‚Ì‚évu‚ä‚ß‚İ‚év
yƒAƒ“ƒR[ƒ‹z u’Á°‰Ì‚ւ̃ŠƒNƒGƒXƒgv
“Œ‹žŒ|pŒ€ê
53‰ñ˜Z˜A
( 2004.5.3 )
s•½¬ 16”Nt
yƒG[ƒ‹ŒğŠ½z u—§‹³vu“Œ‘åv¢Œcœävu–@­vu–¾Ž¡vu‘ˆî“cv
y—§‹³z w’†Œ´’†–ç‚ÌŽ‚©‚çxi’†Œ´’†–çìŽC‘½“c••Fì‹Èj ûüâ“OŽwŠö@u–k‚ÌŠCvu‰˜‚ê‚¿‚Ü‚Á‚½”ß‚µ‚݂ɁvuŠÔ‘t‹Èvu‰_vu˜ZŒŽ‚̉JvuŒŽ‚ÌŒõv
y“Œ‘åz w‚P‚T¢‹I‚̃Cƒxƒ“ƒgƒ~ƒ…[ƒWƒbƒNxiGuillaume DufayEAntoino Busnois ‘¼ì‹Èj —L‘º—S•ãŽwŠö@uDeo Gracias, AngliavuIn HydraulisvuLamentatio Sanctae Matris Ecclesiae ConstantinopolitanaevuNuper Rosarum Floresv
yŒcœäz wEnfance finie `‰ß‚¬‹Ž‚肵­”NŽž‘ã`xiŽOD’BŽ¡ìŽC–؉º–qŽqì‹Èj ”~‹{’¼–çŽwŠöC“c’†—ŽjP@uEnfance finievu•¨ŒêvušÊ‚ꂽ‘‹vu“û•êŽÔv
y–@­z w•œŠˆÕ‚̃~ƒTx‚æ‚è “c’†MºŽwŠö@uIntroitusvuSeqentiav/wThree Chansons for Men'e VoicesxiJosquin des Pres ì‹Èj “c’†MºŽwŠö@uSi j'avoye Marion, hellasvuEn l'ombre d'ung buissonet,/Tout au loing d'une rivierevuSi j'ay perdu mon amyv
y–¾Ž¡z w“ú–{–¯—w ‚Px‚æ‚è i¼‰ºkì‹Èj ŠOŽR_Ž¢ŽwŠö@u–kŠC–~‰Si–kŠC“¹–¯—wjvu‰ï’Ô֒òŽRi•Ÿ“‡Œ§–¯—wjvu”ª–ؐ߁iŠÖ“Œ’n•û–¯—wjv
y‘ˆî“cz wNot Think, But Sing !x ˆî–{—ÉŽwŠö@uGreat DayvuEv'ry Time I Feel the SpiritvuRide the ChariotvuAmazing GracevuSwing Down Chariotv
y‡“¯z w…‚Ì‚¢‚Ì‚¿xiûü–ìŠì‹v—YìŽCûü“cŽO˜Yì‹Èj ˆ¢•”¹ŽiŽwŠöC{“¡Œb”üŽqP@u‰JvuìvuŠCvuŠC‚æv
yƒAƒ“ƒR[ƒ‹z u‰Ji…‚Ì‚¢‚Ì‚¿jv
“Œ‹žŒ|pŒ€ê
52‰ñ˜Z˜A
( 2003.5.3 )
s•½¬ 15”Nt
yƒG[ƒ‹ŒğŠ½z ¢Œcœävu–@­vu—§‹³vu‘ˆî“cvu“Œ‘åvu–¾Ž¡v
yŒcœäz wThe Beatles' Numbersxi‹{“‡«˜Y•Ò‹Èj ’‡Œõ•áŽwŠöC“c’†—Žj ƒ`ƒFƒ“ƒoƒ@uDAY TRIPPERvuHERE, THERE AND EVERYWHEREvuGIRLvuOB-LA-DI, OB-LA-DAvuMICHELLEvuELEANOR RIGBYvuYESTERDAYv
y–@­z wHymmnn & Lamentieverlasting lightjxiAllen Ginsberg ìŽCŒ ‘ã“Ö•Fì‹Èj “c’†MºŽwŠöC’†“ˆPCBaron Byron ƒXƒs[ƒJ[
y—§‹³z w‘–ìS•½‚ÌŽ‚©‚çxi‘–ìS•½ìŽC‘½“c••Fì‹Èj ûüâ“OŽwŠö@uÎ‰Æ‘‘‚ɂāvu“Vvu‹à‹›vu‰Jvu‚³‚­‚çŽU‚év
y‘ˆî“cz wIN TERRA PAX ’n‚É•½˜a‚ğxi’ߌ©³•vìŽC‰¬‹v•Û˜a–¾ì‹Èj ´…‰ë•FŽwŠöC—é–ؐ^—ŽqP@u’m‚Á‚½vuOH MY SOLDIERvu‰Ô‚ğ‚³‚ª‚·­—vu‚Ù‚¤‚¯‚½•ê‚ÌŽqŽç‰ÌvuIN TERRA PAX ’n‚É•½˜a‚ğv
y“Œ‘åz wƒ‹ƒlƒTƒ“ƒX•—‚±‚Ƃ΂ ‚»‚Ñ‚¤‚½ ‚à‚Ì‚Ü‚ËŽd—§‚āxiClement Janequin.EOllando di Lasso ‘¼ì‹Èj —L‘º—S•ãŽwŠö@uImitatione del VenetianovuDas Gläut zu SpeyervuLe Coq et La PoulevuEcchovuLe Chant des OyseauxvuContrapunto Bestiale Alla Mentev
y–¾Ž¡z w’jº‡¥‚Ì‚½‚ß‚Ì Voicexi–Ø“‡ŽnìŽCM’·‹M•xì‹Èj ŠOŽR_Ž¢ŽwŠö@uWe blunderersi‚µ‚­‚¶‚é‚í‚ê‚çjvuDistinctivei‚­‚Á‚«‚èjvuBinki‚Ü‚¶‚났jvuRainbowi“øjvuSince I was bom.i¶‚Ü‚ê‚Ä‚©‚çjv
y‡“¯z w—·‚Ì‹ó‚©‚çxiŒI“cM¶•Ò‹Èj ŒI“cM¶ ‰¹ŠyŠÄ“CŒI“cM¶EŸŽR‹IŽqPC]‘Œ[‘¾ ƒpƒCƒvƒIƒ‹ƒKƒ“C‘åŠÚM ƒ‰ƒeƒ“ƒp[ƒJƒbƒVƒ‡ƒ“
yƒAƒ“ƒR[ƒ‹z uƒwƒbƒhƒ‰ƒCƒgEƒe[ƒ‹ƒ‰ƒCƒgvi’†“ˆ‚İ‚ä‚«ìŽEì‹Èj
“Œ‹žŒ|pŒ€ê
51‰ñ˜Z˜A
( 2002.5.3 )
s•½¬ 14”Nt
yƒG[ƒ‹ŒğŠ½z u–¾Ž¡vu“Œ‘åvu‘ˆî“cvu–@­vu—§‹³v¢Œcœäv
y–¾Ž¡z wThe Student PrinceiŠw¶‰¤ŽqjxiDorothy Donnelly ìŽCSigmund Romberg ì‹ÈC•Ÿ‰i—zˆê˜Y•Ò‹Èj ŠOŽR_Ž¢ŽwŠöC¬—ÑŒ÷P@uGolden DaysvuDrinking SongvuDeep In My Heart, DearvuSerenadevuStudent March Songv
y“Œ‘åz wƒ‹ƒlƒTƒ“ƒXEƒXƒyƒCƒ“¢‘­‹ÈWxiJuan Vazqez ‘¼ì‹Èj —L‘º—S•ãŽwŠö@uTeresica hermanavuDe los alamos vengo, madrevuLa mi sola LaureolavuSi la noche haze escurevuNo ves, amor, que esta gentil mocuera ?vuAve color vinivuCon que la lavarevuCon que la lavare ?uFatal la partev
y‘ˆî“cz wKOBU-SHIi¡ªç‚©‚¹‚邨‚Æ‚±‚̉ԓ¹jxi“c’†G•Ò‹Èj ²“¡‘ñŽwŠö@u—^ìvuM‰Ì`ŒZ’í‘DvuƒŠƒ“ƒS’Ç•ªvuç‹Èìvu˜Q‰Ôß‚¾‚æl¶‚́vu‹A‚ë‚©‚ȁv
y–@­z wžÅ‘½‚̃Kƒ‰ƒ“ƒXxi‘ºŽRžÅ‘½ìŽC–k’Ü“¹•vì‹Èj “c’†MºŽwŠö
y—§‹³z w‰“‚¢•ê‚Ɂxi‘å–Ø“Õ•vìŽC‘½“c••Fì‹Èj ûüâ“OŽwŠö@u‰“‚¢•ê‚Ɂvu–²‚Ì‚ ‚«‚ñ‚ǁvu‰“‚¢Žž‰Jvu–ì‚Ì—rvuŠXŠp‚ɂāvu‚»‚̐lX‚́v
yŒcœäz wƒVƒ…[ƒxƒ‹ƒg’jº‡¥‹ÈWxiJohann Gabriel Seidl ‘¼ìŽCFranz Schubert ì‹Èj jì—§•FŽwŠöCjìŒbPC÷ˆä­sE’JŒû–M”ŽE’†“ˆ´E’·’|‰pŽ¡ ƒzƒ‹ƒ“@uŽå‚͉䂪Œì‚èiŽ•Ñ‚Q3 )vu–µ‚vu–évu¬–é‹ÈvuX‚Ì–é‚̉́v
y‡“¯z w“ú–{‚ªŒ©‚¦‚È‚¢xi’|“à_ŽOìŽCV”ü“¿‰pì‹Èjy‰‰‰z ‘å’JŒ¤“ñŽwŠö
“Œ‹žŒ|pŒ€ê
50‰ñ˜Z˜A
( 2001.5.3 )
s•½¬ 13”Nt
yƒG[ƒ‹ŒğŠ½z ¢Œcœävu—§‹³vu–¾Ž¡vu–@­vu‘ˆî“cvu“Œ‘åv
yŒcœäz wOld American SongsxiAaron Copland •Ò‹Èj –k‘º‹¦ˆêŽwŠöC’J’rd’ÛŽqP@uTHE BOATMAN'S DANCEvuSIMPLE GIFTSvuLONG TIME AGOvuCHING-A-RING CHAWvuTHE LITTLE HORSESvuZION'S WALLSv
y—§‹³z wZigeunermelodien op.55xiA. Heyduk ìŽCA. Dvorak ì‹ÈC•Ÿ‰i—zˆê˜Y•Ò‹Èj ûüâ“OŽwŠöC‹v玔V‹XP@¢Mein Lied ertöntvuEi, wie mein TriangelvuRings ist der WaldvuAls die alte MuttervuReingestimmt die SaitenvuIn dem weiten, breiten, luft'gen LeinenkleidevuDarf des Falken Schwingev
y–¾Ž¡z w“®•¨‚½‚¿‚̃Rƒ‰[ƒ‹‘æ‚SWxiC.B.de GASZTOLD ìŽC‹{àV–MŽq–󎍁C”‹Œ´‰p•Fì‹Èj ŠOŽR_Ž¢ŽwŠö@u‚©‚ß‚Ì‹F‚èvuŽq“Ø‚Ì‹F‚èvu‰²‹‚Ì‹F‚èvuŽq”n‚Ì‹F‚èvu‚݂‚΂¿‚Ì‹F‚èv
y–@­z w‚©‚‚ĐM‹Â‚Í’nã‚É‚ ‚Á‚½xi”‹Œ´ñ‘¾˜YìŽC¼‘º˜Nì‹Èj “c’†MºŽwŠöC’·“c˜aŽq ‘ÅŠyŠí
y‘ˆî“cz w•l—ì‰Ì‚ŃIƒDEƒCƒG[ƒBxi‘O“cŒ›’j•Ò‹Èj ‘O“cŒ›’jŽwŠöC‘O“cŒ›’jP@uRide the chariotvuSwing low, sweet chariotvuJoshua fit de battle ob JericovuDry BonesvuOl' Man RivervuWhen the saints go marchin' inv
y“Œ‘åz wƒ‹ƒlƒbƒTƒ“ƒXEƒˆ[ƒƒbƒp¢‘­‹È‚Ì—·xiHeinrich Isaac ‘¼ì‹Èj —L‘º—S•ãŽwŠö@¢Chi'nde dara la bosevuSince Robin HoodvuNous voyons que les hommesvuLa tricoteavuInnsbruck, ich muss dich lassenvuO occhi manza mia, cigli dorativuWeep, O mine eyesvuPase el agoa, ma Julietav
y‡“¯z wƒoƒJƒ„ƒ[‚Ɉ¤‚ğž‚ß‚Äxiˆäã–õEŠâŠÔ–FŽ÷E–kì“~•FìŽCûü“cŽO˜Yì‹Èj ’Ґ³sŽwŠöC’ÒŽu˜NP@w–앪x‚æ‚è uŠC•Óv/w–k‘‚̉́x‚æ‚è u‘Š ‚è‰Ìv/u“~E•—˜@ŒÎv/w‹Gß‚Æ‘«Õx‚æ‚è u½v/wŠCx‚æ‚è uŠCŒiFv
yƒAƒ“ƒR[ƒ‹z u—y‚©‚È—F‚Ɂviˆé•”˜æìŽEì‹Èj
“Œ‹žŒ|pŒ€ê
49‰ñ˜Z˜A
( 2000.5.3 )
s•½¬ 12”Nt
yƒG[ƒ‹ŒğŠ½z u–¾Ž¡vu“Œ‘åvu‘ˆî“cv¢Œcœävu–@­vu—§‹³v
y–¾Ž¡z wƒeƒBƒI‚Ì–é‚Ì—·xi’ràV‰ÄŽ÷ìŽC–؉º–qŽqì‹Èj ŠOŽR_Ž¢ŽwŠöC¬—ÑŒ÷P@uj•ŸvuŠC_vuŠÂÊvuƒ[ƒ‰Eƒr[ƒ`vuƒeƒBƒI‚Ì–é‚Ì—·v
y“Œ‘åz wƒMƒ‡[ƒ€Eƒfƒ…ƒtƒ@ƒCì•iWxiGuillaume Dufay ì‹Èj —L‘º—S•ãŽwŠöC”‹’JŽ–çE—˜ªìŸ ŠíŠy@uChriste, redemptor omniumvuAlma redemptoris mater 2vuAve regina caelorum 1vuLamentatio sanctae matris ecclesiae constantinopolitanaevuNuper rosarum floresv
y‘ˆî“cz w—V¯‚ЂƂxi–Ø“‡ŽnìŽCŽO‘PWì‹Èj “¡ˆäGŽ÷ŽwŠöC•ž•”^—RŽqE‰¡ŽR•àP@uINITIAL CALLvu‚¾‚ê‚́HvuŒ©‚¦‚È‚¢‰‚Ì‚¤‚½vuƒoƒgƒ“ƒ^ƒbƒ`‚Ì‚¤‚½v
yŒcœäz w‚ ‚µ‚½‚¤‚Ü‚ê‚éi”’‚¢‚¤‚½ Â‚¢‚¤‚½ ‚æ‚èjxi’JìŠåìŽCV”ü“¿‰pì‹ÈE•Ò‹Èj –k‘º‹¦ˆêŽwŠö@¢‚í‚ê‚à‚±‚¤vu‚ ‚µ‚½‚¤‚Ü‚ê‚évu–³–¼vu“ìŠC•ˆvu–é‚Æ’‹vu–Ó“±Œ¢Svu‚¿‚¢‚³‚È–@—†vu‘²‹Æv
y–@­z wŽè‚­‚茿xi‘ëŒûC‘¢ìŽCKenneth Lyons –󎌁C•–ž“Oì‹Èj “c’†MºŽwŠö@uYour eyesvuThree bonzesvuCinderella's miisfortunevuA farewell giftv
y—§‹³z w‚₳‚µ‚¢‹›xiìè—mìŽCV”ü“¿‰p•Ò‹Èj ûüâ“OŽwŠöC‹v玔V‹XP@uŠ´“I‚ȉSvuƒWƒ‡ƒMƒ“ƒO‚̉Svu“VŽgvu’¹‚ªvu‚₳‚µ‚¢‹›v
y‡“¯z wV‚µ‚¢‰ÌxiM’·‹M•xì‹Èjy‰‰‰z ´…‰ë•FŽwŠöC—é–ؐ^—ŽqP@uV‚µ‚¢‰ÌviƒtƒBƒfƒŠƒREƒKƒ‹ƒVƒAEƒƒ‹ƒJìŽj/u‚¤‚½‚ğ‚¤‚½‚¤‚Æ‚«vi‚܂ǁE‚İ‚¿‚¨ìŽj/u‚«‚݉̂¦‚ævi’Jìr‘¾˜YìŽj/u’Á°‰Ì‚ւ̃ŠƒNƒGƒXƒgviƒ‰ƒ“ƒOƒXƒgƒ“Eƒqƒ…|ƒYìŽj/uˆêŽl‚̍Ōã‚̉́viƒnƒ“ƒXEƒNƒŠƒXƒ`ƒƒƒ“EƒAƒ“ƒfƒ‹ƒZƒ“ìŽj
yƒAƒ“ƒR[ƒ‹z uÔ‚Æ‚ñ‚ځviŽO–ؘI•—ìŽCŽR“ck⩍ì‹ÈCM’·‹M•x•Ò‹Èj
“Œ‹žŒ|pŒ€ê
48‰ñ˜Z˜A
( 1999.5.3 )
s•½¬ 11”Nt
yƒG[ƒ‹ŒğŠ½z u“Œ‘åvu—§‹³vu‘ˆî“cvu–¾Ž¡vuŒcœävu–@­v
y“Œ‘åz wƒ‹ƒlƒTƒ“ƒXƒCƒ^ƒŠƒA‚̃}ƒhƒŠƒK[ƒŒxiƒAƒ‹ƒJƒfƒ‹ƒg‘¼ì‹È) —L‘º—S•ãŽwŠö@uITALIA MIAvuO SONNOvuVOI VOLETE CH'IO MORAvuAHI, DISPERATA VITAvuIL BIANCO E DOLCE CIGNOvuDISSI A L'AMATA MIAv
y—§‹³z wŠC’¹‚ÌŽxiX‰ÈŒ¹‘ ìŽCœA£—Ê•½ì‹Èj ûüâ“OŽwŠöC‹v玔V‹XP@uƒIƒƒƒ“’¹vuƒGƒgƒsƒŠƒJvuŠC‰Lvu–k‚ÌŠC’¹v
y‘ˆî“cz w‘O“cŒ›’jf‚“ ƒOƒbƒhƒoƒCƒuƒŒ[ƒVƒ‡ƒ“xi‘O“cŒ›’j•Ò‹Èj ‘O“cŒ›’j‘ŽwŠöEP@uFour BrothersvuGloriavuMr. Bass ManvuThe Bridge Over Troubled WatervuHit Pops MedleyiVACATIONCJust Walkin' in the RainCMy GirlCTop of the Worldjv
y–¾Ž¡z wCANTATE DOMINOfor male chorusxi¼‰ºkì‹Èj ŠOŽR_Ž¢ŽwŠö@uCANTATE DOMINOvuADORAMUS TE CHRISTEvuGLORIAv
yŒcœäz wR. ƒVƒ…ƒgƒ‰ƒEƒX‰Ì‹ÈWxiR. ƒVƒ…ƒgƒ‰ƒEƒX–vŒã50”N‚ğ‹L”O‚µ‚ājiHeinrich Heine‘¼ìŽCRichard Strauss ì‹ÈC•Ÿ‰i—zˆê˜Y•Ò‹Èj ”¨’†—Ç•ãŽwŠöC’J’rd’ÛŽqP@uHeimliche AufforderungvuWiegenliedvuIch trage meine MinnevuMorgen !vuFrühlingsfeierv
y–@­z w‡¥‚Ì‚½‚߂̃Rƒ“ƒ|ƒWƒVƒ‡ƒ“‘æ3”ԁxiŠÔ‹{–F¶ì‹Èj “c’†MºŽwŠö@u䃁vuã¹ê‰ vuˆø‚«”O˜Åv
y‡“¯z wMan of La ManchaxiJoe Darion ìŽCMitch Leigh ì‹ÈCŒ¹“crˆê˜Y•Ò‹Èj —é–ؐ¬•vŽwŠöCŽR“à’mŽqPCŒcœä‹`mƒƒOƒlƒ‹Eƒ\ƒTƒCƒGƒeƒB[EƒI[ƒPƒXƒgƒ‰@uMan of La ManchavuI Really Like HimvuDulcineavuBarber's Song ` Golden Helmet of MambrinovuLittle Bird, Little BirdvuFinaleiKnight of the Woeful Countennance ` Man of La Mancha ` The Impossible Dreamjv
yƒAƒ“ƒR[ƒ‹z uZION'S WALLSviAaron Copland •Ò‹Èj
“Œ‹žŒ|pŒ€ê
47‰ñ˜Z˜A
( 1998.5.3 )
s•½¬ 10”Nt
yƒG[ƒ‹ŒğŠ½z u–@­vu“Œ‘åv¢Œcœävu–¾Ž¡vu—§‹³vu‘ˆî“cv
y–@­z w“~‚̃XƒPƒbƒ`xi‹{àVŒ«Ž¡ìŽC‚‹´—IŽŸì‹Èj “c’†MºŽwŠö
y“Œ‘åz w¹•êƒ}ƒŠƒA‚Ì‚½‚߂̏@‹³ì•iWxiOrlandus Lassus ì‹Èj ŽOàV—mŽjŽwŠö@uSalve ReginavuRegina CoelivuAve MariavuMagnificatv
y–¾Ž¡z wŒäæuxi‘哇ƒ~ƒ`ƒ‹ì‹Èj ŠOŽR_Ž¢ŽwŠöC¬—ÑŒ÷PC¬—ÑŽé”ü“Ə¥C¬¼—æŽqEˆäŽèã’B ƒp[ƒJƒbƒVƒ‡ƒ“@uƒKƒ‰ƒT“¹vuAve Mariavu–ª—xvuŽ‚Žq‚Ì‹ƒ‚«‰SvuŒäæuv
yŒcœäz wƒAƒCƒk‚̃Eƒ|ƒ|xi‹ß“¡‹¾“ñ˜YÌ•ˆC´…ãùì‹Èj –k‘º‹¦ˆêŽwŠö@u‚­‚¶‚çÕ‚èvuƒCƒˆƒ}ƒ“ƒeiŒFÕ‚èjvuƒsƒŠƒJ ƒsƒŠƒJvu“úHŒŽH‚É‹F‚é‰Ìvu—ö‰ÌvuƒŠƒ€ƒZi—Ö•‘jv
y—§‹³z w–¦‚Ì•æxi–x“c‘P‰qìŽCš£ˆÉ‹è–ì‹ÈC•Ÿ‰i—zˆê˜Y•Ò‹Èj ûüâ“OŽwŠöC‹v玔V‹XP
y‘ˆî“cz w…‚Ì‚¢‚Ì‚¿xiûü–ìŠì‹v—YìŽCûü“cŽO˜Yì‹Èj ˆ¢•”¹ŽiŽwŠöC¯Žq‘ãŽqP@u‰Jvu…‚½‚Ü‚èvuìvuŠCvuŠC‚æv
y‡“¯z wˆ¢”gxiŽO–Ø–«ì‹Èj ‘åˆä„ŽjŽwŠö@u.‚½‚¢‚µ‚߁i‘â’÷jvu”ž‘Å‚¿vu‚à‚¿‚‚«i–ݝ‘jvu…Žæ‚èvu‚½‚½‚çi“¥èäjv
yƒAƒ“ƒR[ƒ‹z uU BojviHugo Badalic ìŽCIvan Pl Zajc ì‹ÈC•Ÿ‰i—zˆê˜Y•Ò‹Èj
“Œ‹žŒ|pŒ€ê
46‰ñ˜Z˜A
( 1997.5.4 )
s•½¬ 9”Nt
yƒG[ƒ‹ŒğŠ½z u“Œ‘åvu—§‹³vu‘ˆî“cv¢–@­vuŒcœävu–¾Ž¡v
y“Œ‘åz wEn Bonnes Voixi‚æ‚«º‚ŁjxiJohan Froissart ìŽCFlorent Schmitt ì‹Èj ‘哇‹`²ŽwŠö@uOn dist quecvuPrince et bergerevuLe passant de passyvuTournez s'il vous plaitvuLa mort du rossignolvuLa mode commodev
y—§‹³z wŒŽ‰º‚̈êŒQi‘æˆêWjxi–xŒû‘å›{ìŽC“ìO–¾ì‹Èj ûüâ“OŽwŠöC‹v玔V‹XP@u¬‹Èvu—Ö—x‚èvul‚̉]‚Ó‚±‚Æ‚ğM‚¶‚é‚ȁvuÃ–°‰ÌiŠC‚æjvuH‚̉́v
y‘ˆî“cz w“Œ‹ž‚¾‚您‚Á‚©‚³‚ñ '97xi‰F“cìˆÀ–¾•Ò‹Èj ’Ґ³sŽwŠöC•”ö—F”üŽqP
y–@­z wHymmnn & LamentxiŒ ‘ã“Ö•Fì‹Èj “c’†MºŽwŠöC’†“ˆPCOrren Tanabe Speaker
yŒcœäz wá–¾‚è‚̘HxiˆÉ“¡®ìŽC‘½“c••Fì‹Èj –k‘º‹¦ˆêŽwŠö@ut‚ğ‘҂vu”~‚¿‚á‚ñvuŒŽ–é‚ğ•à‚­vu”’‚¢áŽqvu–é‚Ü‚Í‚èvuá–év
y–¾Ž¡z wŒŽ‰º‚̈êŒQi‘æŽOWjxi–xŒû‘å›{ìŽC“ìO–¾ì‹Èj ŠOŽR_Ž¢ŽwŠöC¬—ÑŒ÷P@u‰Svu‘¾—zvuƒVƒƒƒ“ƒ\ƒ“vu—Ö—x‚èvul‚̈ꐶv
y‡“¯z w‹Gß‚Ö‚Ì‚Ü‚È‚´‚µxiˆÉ“¡ŠC•FìŽC‰¬‹v•Û˜aºì‹Èj ‹àì–¾—TŽwŠöCX“c‹±ŽqP@u‚Ğ‚ç‚­vu‚Ì‚Ñ‚évu‚İ‚Ì‚évu‚ä‚ß‚İ‚év
yƒAƒ“ƒR[ƒ‹z u‚³‚Æ‚¤‚«‚Ñ”¨viŽ›“‡®•FìŽŒEì‹ÈC‹àì–¾—T•Ò‹Èj
“Œ‹žŒ|pŒ€ê
45‰ñ˜Z˜A
( 1996.5.4 )
( 1996.5.5 )
s•½¬ 8”Nt
yƒG[ƒ‹ŒğŠ½z u–¾Ž¡vu“Œ‘åvu–@­vu‘ˆî“cvu—§‹³v¢Œcœäv
y–¾Ž¡z w‚ ‚µ‚½‚¤‚Ü‚ê‚éih”’‚¢‚¤‚½ Â‚¢‚¤‚½h‚æ‚èjxi’JìŠåìŽCVŽÀ“¿‰pì‹ÈE•Ò‹Èj ŠOŽR_Ž¢ŽwŠö@¢‚í‚ê‚à‚±‚¤vu‚ ‚µ‚½‚¤‚Ü‚ê‚évu–³–¼vu“ìŠC•ˆvu–é‚Æ’‹vu–Ó“±Œ¢Svu¬‚³‚È–@—†vu‘²‹Æv
y“Œ‘åz wƒXƒyƒCƒ“‰©‹àŠú‚̏@‹³¬•iWxiCristobal Morales ‘¼ì‹Èj —L‘º—S•ãŽwŠö@uO DOMINE IESU CHRISTEvuPECCANTEM ME QUOTIDIEvuEGO SUM PANIS VIVUSvuECCE VIDIMUSvuAVE MARIAvuREGINA CAELIv
y–@­z whC“ñ˜ğŽ]h´xiŽÄ“c“ì—Yì‹Èj “c’†MºŽwŠö
y‘ˆî“cz w“à‚Ȃ鉓‚³xiûü–ìŠì‹v—YìŽCûü“cŽO˜Yì‹ÈC{‰êŒhˆê•Ò‹Èj ˆ¢•”¹ŽiŽwŠöC’†‘º—L–ØŽqP@u”òãāi”’ëjvuŠR‚̏ãi‚©‚à‚µ‚©jvu‡¶i‚³‚éjvu”R‚¦‚é‚à‚́i’w偁jvuŒÈ‚ê‚ğŒõ‚Ɂi[ŠC‹›jv
y—§‹³z w…–nWxi–kŒ´”’HìŽC‘½“c••Fì‹Èj ²“¡GŽwŠö@¢˜IvuŽRŽ›‚̏‰HvuÕvuI“ú•—‚ ‚èvué̗͂ˆ‚鍠vuŽž‰Jvuˆ°Šåvu“n‚è’¹v
yŒcœäz wƒv[ƒ‰ƒ“ƒN‰Ì‹ÈWxiGuillaume Apollinaire ‘¼ìŽCFrancis Poulenc ì‹ÈC²“¡³_•Ò‹Èj ²“¡³_ŽwŠö@uVoyage a ParisvuHotelvu"C"vuLes Chemins de I'amourvuToreadorv
y‡“¯z wŒŽŒõ‚ƃsƒGƒxi–xŒû‘å›{ìŽC´…ãùì‹Èj “c’†GŽwŠö@uŒŽ–évuH‚̃sƒGƒvuƒsƒGƒvuƒsƒGƒ‚Ì’Q‚«vuŒŽŒõ‚ƃsƒGƒ‚ƃsƒGƒŒƒbƒg‚Ì“‚‘–Í—lv
yƒAƒ“ƒR[ƒ‹z uƒsƒGƒ‚Ì’Q‚«v
“Œ‹ž•¶‰»‰ïŠÙ

“Œ‹žŒ|pŒ€ê

44‰ñ˜Z˜A
( 1995.5.3 )
( 1995.5.4 )
s•½¬ 7”Nt
yƒG[ƒ‹ŒğŠ½z u“Œ‘åv¢Œcœävu–¾Ž¡vu–@­vu‘ˆî“cvu—§‹³v
y“Œ‘åz wƒ[ƒŠƒP‡¥‹ÈWxiEduard Mörike ìŽCHugo Distler ì‹Èj Volker Renicke ŽwŠö@¢Der Tambour£¢Der GärtnervuFrage und AntwortvuJägerliedvuVerborgenheitvuDer Liebhaber an die heiß Quelle zu BvuLammswirts KlageliedvuLied eines VerliebtenvuJung Volkerv
yŒcœäz wƒTƒ~ƒ…ƒGƒ‹Eƒo[ƒo[‰Ì‹ÈWxiJames Joyce ‘¼ìŽCSamuel Barber ì‹Èj ²“¡³_ŽwŠöC“¡“c‰ëP@uRain Has FallenvuThe Monk and His CatvuSleep NowvuSure on This Shining NightvuHear an Armyv
y–¾Ž¡z w‚₳‚µ‚¢‹›xiìè—mìŽCVŽÀ“¿‰pì‹Èj ŠOŽR_Ž¢ŽwŠöC¬—ÑŒ÷P@uŠ´“I‚ȉSvuƒWƒ‡ƒMƒ“ƒO‚̉Svu“VŽgvu’¹‚ªvu‚₳‚µ‚¢‹›v
y–@­z wŽè‚­‚茿iŽl‚‚̃|ƒbƒvƒ\ƒ“ƒOjxi‘ëŒûC‘¢ìŽCKenneth Lyons –󎌁C•–ž“Oì‹Èj “c’†MºŽwŠö@uYour eyesvuThree bonzesvuCinderella's misfortunevuA farewell giftv
y‘ˆî“cz w‚Ğ‚½‚·‚ç‚È“¹xiûü–ìŠì‹v—YìŽCûü“cŽO˜Yì‹Èj ˆ¢•”¹ŽiŽwŠöC{“¡Œb”üŽqP@u•Pvu”’’¹vuŒ·v
y—§‹³z w•l—ì‰ÌWx –k‘º‹¦ˆêŽwŠöC‹v玔V‹XP@uJoshuay Fit de Battle ob JericovuWade In De WatervuHonor ! Honor !vuWere You There ?vuDe Glory RoadvuDry Bonesv
y‡“¯z wƒhƒCƒcƒIƒyƒ‰‡¥‹ÈWx •Šâ‰pbŽwŠöCìŒûk•½Eò’J”ü•ÛP@uŽël‚̍‡¥iƒEƒF[ƒo[h–‚’e‚ÌŽËŽèh‚æ‚èjvu‘m—µ‚̍‡¥iƒ‚[ƒcƒ@ƒ‹ƒgh–‚“Jh‚æ‚èjvuŽúl‚̍‡¥iƒx[ƒg[ƒ”ƒFƒ“hƒtƒBƒfƒŠƒIh‚æ‚èjvu„—ç‚̍‡¥iR.ƒƒOƒi[hƒ^ƒ“ƒzƒCƒU[h‚æ‚èjv
yƒAƒ“ƒR[ƒ‹z uDer Gondelfahrerv
“Œ‹ž•¶‰»‰ïŠÙ

“Œ‹žŒ|pŒ€ê

43‰ñ˜Z˜A
( 1994.5.3 )
( 1994.5.7 )
s•½¬ 6”Nt
yƒG[ƒ‹ŒğŠ½z u—§‹³vu–¾Ž¡vu‘ˆî“cv¢Œcœävu“Œ‘åvu–@­v
y—§‹³z w‚킪‚Ó‚é‚«“ú‚Ì‚¤‚½xiŽOD’BŽ¡ìŽC‘½“c••Fì‹Èj –k‘º‹¦ˆêŽwŠö@uáKi‚¢‚µj‚Ì‚¤‚ցvuŒÎ…vuEnfance finiei‰ß‚¬‹Ž‚肵—c”NŽž‘ãjvu–Ø“evu‹½Dvuà–‚è‚ʁvuá‚Í‚Ó‚év
y–¾Ž¡z w¶–½‚̐_”éxiJ. ƒ}ƒ“ƒeƒKƒbƒcƒ@ìŽC”‹Œ´‰p•Fì‹Èjy‰‰‰z ŠOŽR_Ž¢ŽwŠöC¬—ÑŒ÷PCŠ—Œ´ŽjŽq“Ə¥
y‘ˆî“cz w‚«‚イ‚«‚å‚­‚̍•l—ì‰Ìxi‘O“cŒ›’j•Ò‹Èj ‘O“cŒ›’jŽwŠöC‘O“cŒ›’jP@¢Roun' about de Mountain£¢Great day£¢Gospel TrainvuMary had a babyvuI couldn't hear Nobody PrayvuJoshua fit de Battle of JerichovuDeep RivervuHush ! Somebody's calling My NamevuEv'ry time I feel de SpiritvuƒAƒ“ƒR[ƒ‹v
yŒcœäz wƒCƒ^ƒŠƒAŒÃ“T‰Ì‹ÈWxi–k‘º‹¦ˆê•Ò‹Èj ¼‹`ˆêŽwŠöC¬—Ñ—R‰À ƒGƒŒƒNƒg[ƒ“@uAmarilli, mia bellavuLasciatemi morire !vuGia il sole dal GangevuTu mancavi a tormentarmivuLe violettevuOmbra mai fuv
y“Œ‘åz wMISSA DA PACEMxiJosquin Desprez ì‹Èj —L‘º—S•ãŽwŠö@uKyrievuGloriavuSanctus/BenedictusvuAgnus Deiv
y–@­z wV–ØŒ­‚èE_“cŽ]‰Ìxi’Jìr‘¾˜YìŽC“’ó÷“ñì‹Èj ŠÖˆê˜YEŒÃ‰®‹P•vE‰Á“¡G˜aE‰ª•”^ˆê˜Y ŽÚ”ª
y‡“¯z w“ꕶhˆ¤hxi@¶‹ßìŽC‰¬‹v•Û˜a–¾ì‹Èj ‰¬‹v•Û˜a–¾ŽwŠöC¼ìGlP@u‰Î‰Š“yŠívu‰Ô‚¢‚¿‚à‚ñ‚߁vuƒ‰ƒ‰ƒoƒC‚Ğ‚È’¹vu—[‰f‚¦v
yƒAƒ“ƒR[ƒ‹z uIN TERRA PAXi’n‚É•½˜a‚ğjvi’ߌ©³•vìŽC‰¬‹v•Û˜a–¾ì‹Èj
“Œ‹žŒ|pŒ€ê

“Œ‹ž•¶‰»‰ïŠÙ

42‰ñ˜Z˜A
( 1993.5.1 )
( 1993.5.2 )
s•½¬ 5”Nt
yƒG[ƒ‹ŒğŠ½z u–¾Ž¡vu“Œ‘åvu‘ˆî“cvu—§‹³vu–@­v¢Œcœäv
y–¾Ž¡z w‚䂤‚ׁCŠC‚ğŒ©‚½xi—Ž‡ŒbŽqìŽC‰¬‹v•Û˜a–¾ì‹Èj ŠOŽR_Ž¢ŽwŠöC¬—ÑŒ÷P@uPRELUDEvu”ªŒŽi‚ ‚«‚ç‚ß‚ÌŠCjvu‹ãŒŽi‹€‚¿‚½¬‘Djvu\ŒŽišL‚­jvu‚»‚µ‚ă‰ƒ‰ƒoƒCv
y“Œ‘åz wƒVƒ…[ƒxƒ‹ƒg’jº‡¥‹ÈWxiFranz Peter Schubert ì‹È) Volker Renicks ŽwŠö@uZum RundtanzvuRuhe, schönestes Glück der ErdevuGesang der Geister über den WqassernvuSehnsuchtv
y‘ˆî“cz wˆ¤‚µ‚«’n‹…‚̏—‚½‚¿xi‰F“cìˆÀ–¾•Ò‹Èj ’Ґ³sŽwŠöC•”ö—F”üŽqP@¢ƒ}ƒŠƒA‚ğŽ]‚¦‚Ä£¢—E—E—vu‘Œ´î‰ÌvuƒCƒpƒlƒ}‚Ì–ºvuƒXƒyƒCƒ“‚̍‚èvuƒpƒŠ‚Ì‚¨ì‚³‚ñvuˆŸ–ƒF‚Ì”¯‚̉³—vuƒƒŠ[‚͉̂¤vu‚¨•x‚³‚ñv
y—§‹³z w”öèŠì”ª‚ÌŽ‚©‚çxi”öèŠì”ªìŽC‘½“c••Fì‹Èj –k‘º‹¦ˆêŽwŠö@u“~–ìvuÅŒã‚̐á‚ɁvutDvu“Vˆä‘òvu–qêvu‚©‚¯‚·v
y–@­z w”ü—‘ÅŒ©‚ê‚΁i—Ào”鏴‚æ‚èjxiŽÄ“c“ì—Yì‹Èjy‰‰‰z “c’†MºŽwŠöC‚‹´–¾–M ¬ŒÛ@u‚»‚悱úå‚É‚æ‚ȁi‘æ\ˆê‰Ìjvu¡—l‚Ɛ\Ž–‚Ì‹N‚èiŒû“`WŠªˆêjvuŸ‚̍ ‹ž‚É—¬s‚é‚à‚́i‘æŽO˜Z”ª‰ÌE‘æŽO˜Z‹ã‰Ìjvu•‘‚Ö•‘‚Ö嗋i‘æŽlZ”ª‰Ìjvu‹à‚ÌŒä›Ô‚É‚ ‚雪—‚́i‘æ“ñ˜ZŒÜ‰Ìjvu”ü—‘ÅŒ©‚ê‚΁i‘æŽOŽl“ñ‰Ìjvu‚»‚æ‚₱úå‚É‚æ‚ȁi‘æ\ˆê‰Ìjv
yŒcœäz wƒfƒ…ƒpƒ‹ƒN‰Ì‹ÈWxiHenri Duparc ì‹ÈC–k‘º‹¦ˆê•Ò‹Èj ŽO—Ñ‹P•vŽwŠöC¬—ÑŒ\‘¾P@uL'invitation au VoyagevuExtrasevuChanson tristevuLe Manoir de RosemondevuPhidylev
y‡“¯z uˆ£‚µ‚݂̉́i–œ—tWŠª”ª‚É‚æ‚éjvi—ÑŒõìŽCŽO‘PWì‹Èj “c’†MºŽwŠö
yƒAƒ“ƒR[ƒ‹z u˜H•W‚Ì‚¤‚½vi–Ø“‡ŽnìŽCŽO‘PWì‹Èj “c’†MºŽwŠöC’†“ˆP
“Œ‹ž•¶‰»‰ïŠÙ

“Œ‹žŒ|pŒ€ê

41‰ñ˜Z˜A
( 1992.5.2 )
( 1992.5,5 )
s•½¬ 4”Nt
yƒG[ƒ‹ŒğŠ½z u–¾Ž¡vu“Œ‘åvu‘ˆî“cv¢Œcœävu–@­vu—§‹³v
y–¾Ž¡z w‰“‚¢‘x‚æ‚è (–ØŒ´FˆêEˆ¼ìM•vìŽC‚“ˆ‚İ‚Ç‚èì‹Èjy‰‰‰z ŠOŽR_Ž¢ŽwŠöC¬—ÑŒ÷P@u‰“‚¢‘vu‚¿‚¢‚³‚È‹´v
y“Œ‘åz s“ñ‚‚̏@‹³‡¥‹ÈtiFrancis Poulenc ì‹Èj ²“¡ŒöFŽwŠö wQuatre petites prieres de Saint Francois d'Assisex@uSalut, Dame SaintevuTunt puissant, tres saintvuSeigneur, ja vous en prievuO men tres chers freresv/wLaudes de Saint Antoine de Padouex@uO JesuvuO prolesvuLaus RegivuSi quaerisv
y‘ˆî“cz wMan of La ManchaxiJoe Darion ìŽCMitch Leigh ì‹ÈCŒ¹“crˆê˜Y•Ò‹Èj •Šâ‰pbŽwŠöC‹v玔V‹XP@uMan of La ManchavuI Really Like HimvuDulcineavuBarber's Song(Golden Helmet of Nambrino)vuLittle Bird, Little BirdvuFinale(Knight of The Woeful Countenance ` Man of La Mancha ` The Impossible Dream)v
yŒcœäz wƒ`ƒƒƒCƒRƒtƒXƒL[‰Ì‹ÈW 2xiPeter Ilich Tchaikovsky ì‹ÈC“¡X”•F•Ò‹Èj y‰‰‰z ”¨’†—Ç•ãŽwŠöCŽO‰Y—mˆêP@u„S„O „A„\„L„O „Q„@„N„N„E„_ „B„E„R„N„O„Ji‚»‚ê‚Í‘t‚Ì‚±‚Æ‚¾‚Á‚½jvu„M„\ „R„I„L„E„L„I „R „S„O„A„O„Ji–l‚ÍŒN‚ƈꏏ‚ɍÀ‚Á‚Ä‚¢‚½jvu„P„O„J„M„I „V„O„S„] „Q„@„Hi‚¹‚߂Ĉê“x‚¾‚¯‚Å‚à‚í‚©‚Á‚Ä‚Ù‚µ‚¢jvu„R„E„Q„E„N„@„D„@iƒZƒŒƒi[ƒfjvu„N„E „B„E„Q„], „M„O„J „D„Q„T„Ci—F‚æM‚¸‚é‚ȁjv
y–@­z w‰ñ•—‰Ìxi–Ø“‡ŽnìŽC‚‹´—IŽ¡ì‹Èj “c’†MºŽwŠö
y—§‹³z w‰JxiˆÉ“¡®E‘å–Ø“Õ•vE”öŒ`ꝔV‰îE”ª–؏d‹gìŽC‘½“c••Fì‹Èj –k‘º‹¦ˆêŽwŠö@u‰J‚Ì—ˆ‚é‘Ovu•‘ –ì‚̉Jvu‰J‚Ì“ú‚Ì—V“®š¢–؁vu‰J@‰Jvu‰J‚Ì“ú‚ÉŒ©‚évu‰Jv
y‡“¯z wŽOŒQ‡¥‚Ì‚½‚߂̃~ƒTxiGiovanni Gabrieli ì‹ÈCŠFì’B•v•Ò‹Èjy’jº”ŏ‰‰‰z ŠFì’B•vŽwŠö@uKyrievuGloriavuSanctusv
yƒAƒ“ƒR[ƒ‹z uƒCƒ“ƒXƒuƒ‹ƒbƒNC‚³‚悤‚È‚çviHeinrich Isaac ì‹Èj
“Œ‹žŒ|pŒ€ê

“Œ‹ž•¶‰»‰ïŠÙ

40‰ñ˜Z˜A
( 1991.5.3 )
( 1991.5.4 )
s•½¬ 3”Nt
yƒG[ƒ‹ŒğŠ½z u‘ˆî“cvu–@­vu–¾Ž¡v¢Œcœävu“Œ‘åvu—§‹³v
y‘ˆî“cz w‘O“cŒ›’j'‚“ ƒAƒgƒ‰ƒ“ƒ_ƒ€ƒV[ƒgxi‘O“cŒ›’j•Ò‹Èj ‘O“cŒ›’jŽwŠöE‰‰oE‚¨˜bE‚o@uSunny Day(Seame Street)vuThe Shadow of Your SmilevuO'l Man Rivervu‚¨‚Í‚È‚µvuSingv
y–@­z w“~‚̃XƒPƒbƒ`xi‹{àVŒ«Ž¡ìŽC‚‹´—IŽ¡ì‹Èj “c’†MºŽwŠö
y–¾Ž¡z wŒõ‚ÌŠCxi‘½“c’q–žŽqìŽC‰““¡‰ë•vì‹Èjy‰‰‰z ŠOŽR_Ž¢ŽwŠöC¬—ÑŒ÷P@u‰Ä‚̏­”Nvu—Ö‰ôvu‹F‚èvu•ìŽF‚ÌŠCv
yŒcœäz wƒgƒXƒeƒB‰Ì‹ÈWxiF.P. Tosti ì‹ÈC–k‘º‹¦ˆê•Ò‹Èj ”¨’†—Ç•ãŽwŠöCŽO‰Y—mˆêP@uAprileiŽlŒŽjvuL'ultima canzoneiÅŒã‚̉́jvuIdealei—‘z‚̂ЂƁjvuLa SerenataiƒZƒŒƒi[ƒ^jvuAddio !i‚³‚ç‚΁jv
y“Œ‘åz wƒGƒŒƒ~ƒAˆ£‰ÌxiG.P. da Palestrina ì‹Èj Volker Renicke ŽwŠö
y—§‹³z w—D‚µ‚«‰Ìxi—§Œ´“¹‘¢ìŽC‘½“c••Fì‹Èj –k‘º‹¦ˆêŽwŠö@u‘u‚â‚©‚Ȍ܌Ž‚Ɂvu—Ž—t—тŁvu‚³‚Ñ‚µ‚«–ì•Óvu‚Ü‚½—Ž—t—тŁvu‚İ‚Ü‚©‚ê‚é”ü‚µ‚«‚ЂƂɁv
y‡“¯z w–²‚̏ёœxi{“c˜aG•Ò‹ÈC“Œ‹ž˜Z‘åŠw‡¥˜A–¿ Šé‰æE‰‰oj ”ó–{‰pˆê ƒX[ƒp[ƒoƒCƒU[C¬—ÑŒ÷P@u–²“`àvuDaydream BilievervuMy Dreamvu–²‚ğ‚ ‚«‚ç‚ß‚È‚¢‚ŁvuWhen you wish upon the starv
yƒAƒ“ƒR[ƒ‹z u‚ä‚ß‚¢‚Á‚Ï‚¢v
“Œ‹ž•¶‰»‰ïŠÙ

“Œ‹žŒ|pŒ€ê

39‰ñ˜Z˜A
( 1990.4.30 )
( 1990.5.1 )
s•½¬ 2”Nt
yƒG[ƒ‹ŒğŠ½z u—§‹³vu–¾Ž¡v¢Œcœävu–@­vu“Œ‘åvu‘ˆî“cv
y—§‹³z wŒŽŒõ‚ƃsƒGƒxi–xŒû‘å›{ìŽC´…ãùì‹Èj –k‘º‹¦ˆêŽwŠö@uŒŽ–évuH‚̃sƒGƒvuƒsƒGƒvuƒsƒGƒ‚Ì’Q‚«vuŒŽŒõ‚ƃsƒGƒ‚ƃsƒGƒŒƒbƒg‚Ì“‚‘–Í—lv
y–¾Ž¡z wŽ•Ñxi‰i•y³”Vì‹Èj ŠOŽR_Ž¢ŽwŠöC¬—ÑŒ÷P@uƒ_ƒrƒf‚̉́iŽ•Ñ‚Q‚RjvuŽ]‰ÌiŽ•Ñ‚X‚Wjv
yŒcœäz wƒA[ƒ“‰Ì‹ÈWxiRaynaldo Hahn ì‹ÈC–k‘º‹¦ˆê•Ò‹Èj ”¨’†—Ç•ãŽwŠöCŽO‰Y—mˆêP@uL'Heure exquiseiœ’›‚Ì‚Æ‚«jvuMaiiŒÜŒŽjvuD'Une Prisoni˜S–‚©‚çjvuPaysageiŒiFjvuSi mes vers avaient des ailesvuL'Heure exquiseiœ’›‚Ì‚Æ‚«j|repeat|v
y–@­z wC“ñ˜ğŽ]x´ iŽÄ“c“ì—Yì‹Èj “c’†MºŽwŠö
y“Œ‘åz wMissa Pange LinguaxiJosquin des Prez ì‹ÈCŠFì’B•v•Ò‹Èj ŠFì’B•vŽwŠö@uKyrievuGloriavuCredovuSanctusvuAgnus Deiv
y‘ˆî“cz wƒ”ƒFƒ‹ƒfƒBEƒIƒyƒ‰‡¥‹ÈWxiGiuseppe Verdi ì‹Èj Š™“c_“ñŽwŠöC‹v玔V‹XP@u•ºŽm‚̍‡¥iƒgƒƒ”ƒ@ƒg[ƒŒ‚æ‚èjvu’b–艮‚̍‡¥iƒgƒƒ”ƒ@ƒg[ƒŒ‚æ‚èjvus‚¯C‚킪‰Ì‚æC‹àF‚Ì’F‚ɏæ‚è‚āiƒiƒuƒbƒR‚æ‚èjvu’ìb‚̍‡¥ ‘æˆê–‹iƒŠƒSƒŒƒbƒg‚æ‚èjvu’ìb‚̍‡¥ ‘æ“ñ–‹iƒŠƒSƒŒƒbƒg‚æ‚èjv
y‡“¯z w‚₳‚µ‚¢‹›xiìè—mìŽCVŽÀ“¿‰pì‹Èj ŽO—Ñ‹P•vŽwŠöC‚–Ø—R‰ëP@uŠ´“I‚ȉ́vuƒWƒ‡ƒMƒ“ƒO‚̉́vu“VŽgvu’¹‚ªvu‚₳‚µ‚¢‹›v
ƒI[ƒ`ƒƒ[ƒhƒz[ƒ‹

“Œ‹ž•¶‰»‰ïŠÙ

y ŽRŒÃ“°‰¹Œ¹ z

38‰ñ˜Z˜A
( 1989.5.4 )
( 1989.5. )
s•½¬Œ³”Nt
yƒG[ƒ‹ŒğŠ½z u‘ˆî“cv¢Œcœävu“Œ‘åvu—§‹³vu–@­vu–¾Ž¡v
y—§‹³z w‘–ìS•½‚ÌŽ‚©‚çxi‘–ìS•½ìŽC‘½“c••Fì‹Èj –k‘º‹¦ˆêŽwŠö@uÎ‰Æ‘‘‚ɂāvu“Vvu‹à‹›vu‰Jvu‚³‚­‚çŽU‚év
y–@­z w’Á°‰Ìxi–ØŒ´FˆêìŽCˆê–öŒdì‹Èj “c’†MºŽwŠö
y‘ˆî“cz w“쑾•½—mx‚æ‚è iOscar Hammerstein II ìŽCRichard Rodgers ì‹ÈC•Ÿ‰i—zˆê˜Y•Ò‹Èj •Ÿ‰i—zˆê˜YŽwŠöC‹v玔V‹XP@u–£˜f‚̏ªiSome Enchanted EveningjvuŒä•wl‚ªˆê”ԁiThere is nothing like a damejvuŽ„‚ɍ‚°‚āiDites-moijvut‚æ‚è‚àŽá‚­iYounger than Spring-timejvuƒnƒbƒs[Eƒg[ƒNiHappy TalkjvuƒoƒŠEƒnƒCiBali-Haijv
y–¾Ž¡z w‹{“à“¿ˆê‚ÌŽ‚É‚æ‚éŒÜ‚‚̉̂¤‚½xi‹{“à“¿ˆêìŽC”‹Œ´‰p•Fì‹Èjy‰‰‰z ŠOŽR_Ž¢ŽwŠö@u‰“—‹vu…‹½‚Ì“øvu‚µ‚¸‚­vuŒ©‚½vu‰J‚Ì‚â‚İ‚©‚½v
yŒcœäz wƒtƒH[ƒŒ‰Ì‹ÈW I xiGabriel Faure ì‹ÈC–k‘º‹¦ˆê•Ò‹Èj ”¨’†—Ç•ãŽwŠöCŽO‰Y—mˆêP@uLydiaiƒŠƒfƒBƒAjvuTristessei”ß‚µ‚݁jvuLa Canson du Pecheuri‹™•v‚̉́jvuApres un Revei–²‚Ì‚ ‚ƂɁjvuHymneiŽ^‰Ìjv
y“Œ‘åz wMssa "Benedicta es caelorum"ij•Ÿ‚³‚ꂵ“V‚ÌŒ³@jx‚æ‚è iCristobal de Morales ì‹Èj ‘O“cKŽs˜YŽwŠö@uKyrievuGloriavuSanctusvuAgnus Deiv
y‡“¯z wEnfance finieiƒAƒ“ƒtƒ@ƒ“ƒXEƒtƒBƒjj `‰ß‚¬‹Ž‚肵­”NŽž‘ã`xiŽOD’BŽ¡ìŽC–؉º–qŽqì‹Èj ŠÖ‰®WŽwŠöC‹v玔V‹XP@uEnfance finievu•¨ŒêvušÊ‚ꂽ‘‹vu“û•êŽÔv
“Œ‹ž•¶‰»‰ïŠÙ

‚䂤‚Û‚¤‚ƊȈՕی¯ƒz[ƒ‹

y ŽRŒÃ“°‰¹Œ¹ z

37‰ñ˜Z˜A
( 1988.5.22 )
( 1988.5. )
sº˜a 63”Nt
yƒG[ƒ‹ŒğŠ½z u—§‹³v¢Œcœävu‘ˆî“cvu–@­vu“Œ‘åvu–¾Ž¡v
y—§‹³z wƒRƒ_[ƒC’jº‡¥‹ÈWxiKodaly Zoltan ì‹Èj –k‘º‹¦ˆêŽwŠö@uFOLSZALLOTTA A PAVAvuKIT KENE ELVENNIvuESTI DALvuKARADI NOTAKv
yŒcœäz wMissa Pange LinguaxiJosquin des Prez ì‹ÈCŠFì’B•v•Ò‹Èj ŠFì’B•vŽwŠö@uKyrievuGloriavuCredovuSanctusvuAgnus Deiv
y‘ˆî“cz wFrom The Sunny SouthxiStephen Foster ì‹ÈC•Ÿ‰i—zˆê˜Y•Ò‹Èj •Ÿ‰i—zˆê˜YŽwŠöC‹v玔V‹XP@uMy Old Kentucky HomevuDe Camptown RacesvuBeautiful DreamervuI Dream of JeanievuOld Folks at HomevuOh ! SusannavuOld Black Joev
y–@­z w‚¨‚Æ‚¸‚êxi‰Á“¡’¼ìŽ ‘¾ÉŽ¡uƒgƒJƒgƒ“ƒgƒ“v‚æ‚èC—ÑŒõì‹Èj “c’†MºŽwŠö@u˜CvuˆêCvu“ñCvuŽOCvuŽlCvu•ÔMCv
y“Œ‘åz wƒ_ƒrƒfœğ‰÷Ž•Ñ‹ÈWx‚æ‚è ‘O“cKŽs˜YŽwŠö
y–¾Ž¡z wƒKƒ‹ƒV[ƒAEƒƒ‹ƒJ‚Ì‚T‚‚̃Vƒƒƒ“ƒ\ƒ“xiF.G. Lorca ìŽC’·’JìŽl˜Y–󎍁C’r•ÓWˆê˜Yì‹Èj ’r•ÓWˆê˜YŽwŠöC¬—ÑŒ÷P@u–²vu–Y‚ê‚é‚ȁvu¬‚³‚È—­‚܂萅vu—­‚܂萅CI‚í‚è‚̉́vuŒÍ‚ꂽƒIƒŒƒ“ƒW‚̖؂̃Vƒƒƒ“ƒ\ƒ“v
y‡“¯z wNegro Spiritualsx ”ó–{‰pˆêŽwŠö@uAin'-a That Good News !vuDidn't My Lord Deliver DanielvuDeep RivervuSwing Low, Sweet ChariotvuSoon Ah Will Be Donev
yƒAƒ“ƒR[ƒ‹z uMichaelv
“Œ‹ž•¶‰»‰ïŠÙ

‚䂤‚Û‚¤‚ƊȈՕی¯ƒz[ƒ‹

y ŽRŒÃ“°‰¹Œ¹ z

36‰ñ˜Z˜A
( 1987.5.9 )
( 1987.5.10 )
sº˜a 62”Nt
yƒG[ƒ‹ŒğŠ½z u‘ˆî“cv¢Œcœävu—§‹³vu“Œ‘åvu–@­vu–¾Ž¡v
y‘ˆî“cz wDie TageszeitenxiJoseph von Eichendorff ìŽCRichard Strauss ì‹ÈCOtto Singer •Ò‹Èj ŠÖ‰®WŽwŠöC‹v玔V‹XP@uDer MorgenvuDer AbendvuDie Nachtv
yŒcœäz wƒtƒHƒXƒ^[‰Ì‹ÈWxiStephen Foster ì‹ÈCRobert ShawEAlice Parker •Ò‹Èj –k‘º‹¦ˆêŽwŠöC²“¡³_PCç‘㐳s ƒoƒ“ƒWƒ‡[@uGentle AnnievuDolcy JonesvuLaura Leevu'Way Down In CairovuGentle Lena ClarevuRing de Banjov
y—§‹³z wƒ`ƒƒƒCƒRƒtƒXƒL[‰Ì‹ÈWxi•Ÿ‰i—zˆê˜Y•Ò‹Èj ”¨’†—Ç•ãŽwŠöC‹v玔V‹XP@u‰½ŒÌvu•‘“¥‰ï‚Ì‚´‚í‚ß‚«‚Ì’†‚ŁvuŒê‚é‚È ‰ä‚ª—F‚ævu‚½‚¾C“²‚ê‚ğ’m‚éŽÒ‚Ì‚İ‚ªvuƒhƒ“Eƒtƒ@ƒ“‚̃ZƒŒƒi[ƒfv
y“Œ‘åz wŒÜº‚̃~ƒTxiWilliam Byrd ì‹Èj ‘O“cKŽs˜YŽwŠö@uKyrievuGloriavuCredovuSanctusvuAgnus Deiv
y–@­z w‰ñ•—‰Ìxi–Ø“‡ŽnìŽC‚‹´—IŽ¡ì‹Èj “c’†MºŽwŠö
y–¾Ž¡z wÎ‚̉‹xi‰““¡‰ë•vì‹Èjy‰‰‰z ŠOŽR_Ž¢ŽwŠö@u’¬‚Ì•—Œivi´…‹‘¾˜YìŽj/uŒ¾‚Á‚ĉº‚³‚¢‚Ç‚¤‚©vi‘剪MìŽj/u“•âĂȂª‚µvi¬‰€ˆ¤ŽqìŽj/u”ªŒŽ˜Z“ú‚̍»vi•Ä“c‰hììŽj
y‡“¯z w…‚Ì‚¢‚Ì‚¿xi‚–ìŠì‹v—YìŽC‚“cŽO˜Yì‹Èj ŠÖ‰®WŽwŠöC²“¡³_P@u‰Jvu…‚½‚Ü‚èvuìvuŠCvuŠC‚æv
ƒTƒ“ƒgƒŠ[ƒz[ƒ‹

“Œ‹ž•¶‰»‰ïŠÙ

y ŽRŒÃ“°‰¹Œ¹ z

35‰ñ˜Z˜A
( 1986.5.5 )
i’‹E–éj
sº˜a 61”Nt
yƒG[ƒ‹ŒğŠ½z u—§‹³vu–@­vu‘ˆî“cvu“Œ‘åv¢Œcœävu–¾Ž¡v
y—§‹³z wLiebesliederxiG. DaumerEW. Goethe ìŽCJ. Brahms ì‹ÈC•Ÿ‰i—zˆê˜Y•Ò‹Èj ”¨’†—Ç•ãŽwŠöC‹v玔V‹XE²“¡³_P@uRede, Mädchen, allzu liebesvuAm Gesteine rauscht die FlutvuO die FrauenvuSieh; wie ist die Welle klarvuNachtigall, sie singt so schönvuEin dunkeler Schacht ist LiebevuWenn so lind dein Auge mirvuEin kleiner, hübscher VogelvuAm DonaustrandevuNein, es ist nicht auszukommenvuSchlosser aufvuZum Schlussv
y–@­i’‹jz w“ꕶ“y‹ôxi@¶‹ßìŽCŽO‘PWì‹Èj “c’†MºŽwŠöC“c’†àôŽqP@u‰¤Žqvu‚ӂ邳‚Ɓv
y–@­i–éjz w’Á°‰ÌiƒŒƒNƒCƒGƒ€jxi–ØŒ´FˆêìŽCˆêúåŒdì‹Èj “c’†MºŽwŠö
y‘ˆî“cz wTraditional Negro SpiritualsxiFenno Heath •Ò‹Èj •Ÿ‰i—zˆê˜YŽwŠöC‹v玔V‹XP@uGuide My HeadvuDidn't My Lord Deliver DanielvuLet Us Bread TogethervuSometimes I feel Like a motherless childvuMy Lord, What a Mornin'vuThis TrainvuHe's Got The Whole World In His HandsvuIn That Great Getting' Up Mornin'v
y“Œ‘åz wƒGƒŒƒ~ƒAˆ£‰Ì |¹TŠÔ¹–±‹ÈW‚æ‚è|xiTomas Luis de Victoria ì‹Èj ‘O“cKŽs˜YŽwŠö@u¹–Ø—j“ú‚Ì‚½‚ß‚Ì‘æ1‚̈£‰Ìvu¹–Ø—j“ú‚Ì‚½‚ß‚Ì‘æ2‚̈£‰Ìvu¹‹à—j“ú‚Ì‚½‚ß‚Ì‘æ1‚̈£‰Ìvu¹‹à—j“ú‚Ì‚½‚ß‚Ì‘æ3‚̈£‰Ìv
yŒcœäz wSea ChantyxiRobert Shaw •Ò‹Èj –k‘º‹¦ˆêŽwŠöCÂ–öNP@uWhat shall We Do With The Drunken SailorvuLowlandsvuThe ShavervuShenandoahvuWhup ! JamboreevuGood-bye, Fare Ye WellvuThe Drummer And The Cookv
y–¾Ž¡z wƒeƒBƒI‚Ì–é‚Ì—·xi’ràV‰ÄŽ÷ìŽC–؉º–qŽqì‹Èjy’jº”ŏ‰‰‰z ŠOŽR_Ž¢ŽwŠöC¬—ÑŒ÷P@uj•ŸvuŠC_vuŠÂÊvuƒ[ƒ‰Eƒr[ƒ`vuƒeƒBƒI‚Ì–é‚Ì—·v
y‡“¯z w‹F‚èxi’†Œ´’†–çìŽCVŽÀ“¿‰pì‹Èj –k‘º‹¦ˆêŽwŠöC“c’†àôŽqP
“Œ‹ž•¶‰»‰ïŠÙ

y ŽRŒÃ“°‰¹Œ¹ z

34‰ñ˜Z˜A
( 1985.5.18 )
( 1985.5.19 )
sº˜a 60”Nt
yƒG[ƒ‹ŒğŠ½z u“Œ‘åv¢Œcœävu‘ˆî“cvu–@­vu—§‹³vu–¾Ž¡v
y“Œ‘åz wMissa "Regina coeli"xiG. P. da Palestrina ì‹Èj ‘O“cKŽs˜YŽwŠö@uKyrievuGloriavuSanctusvuBenedictusvuAgnus Deiv
yŒcœäz wNegro Spiritualsi•l—ì‰ÌjxiRobert Shaw etc •Ò‹Èj –k‘º‹¦ˆêŽwŠö@uSoon Ah will Be DonevuDo-don't touch-a my garmentvuDeep RivervuAin'-a That Good News !vuIf I got my ticket, can I ride?vuListen to the LambsvuEv'ry Time I Feel the Spiritv
y‘ˆî“cz w‚X‚‚̃tƒ‰ƒ“ƒX–¯—wxi•Ÿ‰i—zˆê˜Y•Ò‹Èj •Ÿ‰i—zˆê˜YŽwŠöC‹v玔V‹XP@uAuprès de ma blondevuFrère JacquesvuIl ètait une BergèrevuAlouettevuFaia dodo, ColasvuJ'ai du bon tabacvuSur le pont d'AvignonvuAu clair de la lunevuVive ‚Œ'amourv
y–@­z w‹ãˆÊ‚É‚æ‚éƒRƒ“ƒ|ƒWƒVƒ‡ƒ“xi¢ˆ¢–íu‹ãˆÊ’v‚æ‚èC“’ó÷“ñì‹Èj “c’†MºŽwŠö@uó•¶•—i’†ŽOˆÊ‰ºjvu³‰Ô•—i’†ŽOˆÊãjvu‹­êe•—i‰ºŽOˆÊ’†jvuŠÕ‰Ô•—iãŽOˆÊ‰ºjvu‹­×•—i‰ºŽOˆÊãjvu–­‰Ô•—iãŽOˆÊãjv
y—§‹³z wZigeunermelodienxiA. Dvorak ì‹ÈC•Ÿ‰i—zˆê˜Y•Ò‹Èj ”¨’†—Ç•ãŽwŠöC‹v玔V‹XP@uMein Lied ertönt, ein LiebespsalmvuEi, wie mein Triangel wunder herrlich läutet !vuRings ist der Wald so stumm und stillvuAls die alte Mutter mich noch lehrte singenvuReingestimmt die Saiten !vuIn dem weiten, breiten, luft'gen LeinenkleidevuDarf des Falken Schwinge Tatrahöh'n umrauschenv
y–¾Ž¡z wƒˆƒnƒ“EƒVƒ…ƒgƒ‰ƒEƒXì•iWxiJohann Strauss ì‹Èj ŠOŽR_Ž¢ŽwŠöC¬—ÑŒ÷P@uKaiser - WalzervuPizzicato - PolkavuEin Fest bei Johann Strauss ! Chorsuite nach der komischen Oper "FLEDRMAUS"v
y‡“¯z wƒIƒyƒ‰‡¥‹ÈWxi•Ÿ‰i—zˆê˜Y•Ò‹Èj •Šâ‰pbŽwŠöC¬—ÑŒ÷P@u‘åsi‹È ‰ÌŒ€iƒ^ƒ“ƒzƒCƒU[jvu„—ç‚̍‡¥ ‰ÌŒ€iƒ^ƒ“ƒzƒCƒU[jvuŽël‚̍‡¥ ‰ÌŒ€i–‚’e‚ÌŽËŽèjvuŽúl‚̍‡¥ ‰ÌŒ€iƒtƒBƒfƒŠƒIjvu…•v‚̍‡¥ ‰ÌŒ€i‚³‚܂悦‚éƒIƒ‰ƒ“ƒ_lj
yƒAƒ“ƒR[ƒ‹z uŽël‚̍‡¥vu…•v‚̍‡¥v
—û”n•¶‰»ƒZƒ“ƒ^[

“Œ‹ž•¶‰»‰ïŠÙ

y ŽRŒÃ“°‰¹Œ¹ z

33‰ñ˜Z˜A
( 1984.5.12 )
( 1984.5.13 )
sº˜a 59”Nt
yƒG[ƒ‹ŒğŠ½z u–@­vuŒcœävu–¾Ž¡vu—§‹³vu‘ˆî“cvu“Œ‘åv
y–@­z w‰ñ•—‰Ìxi–Ø“‡ŽnìŽŒC‚“¿—IŽ¡ì‹Èj “c’†MºŽwŠö@uƒ‚ƒmEƒ‚ƒ“ƒhƒ“EƒŒ[ƒKƒXvu–„‚à‚ê‚鐺‚ğŒ@‚肨‚±‚»‚¤vu‚Æ‚Ñ‚¿‚鐺‚ğ‚ ‚Â‚ß‚æ‚¤v
yŒcœäz wMissa Mater PatrisxiJosquin des Prez ì‹ÈCŠFì’B•v•Ò‹Èj ŠFì’B•vŽwŠö@uKyrievuGloriavuCredovuSanctusvuAgnus Deiv
y–¾Ž¡z wƒMƒ‹ƒKƒƒVƒ…–Ž–ŽiŒã•Òjxi–•¶•v–󎍁CÂ“‡LŽuì‹Èj ŠOŽR_Ž¢ŽwŠöC›–”G•v ƒiƒŒ[ƒVƒ‡ƒ“@uƒiƒŒ[ƒVƒ‡ƒ“vuŒõ‚ğ‚ß‚´‚µ‚āvu’Ç“‰‰ÌvuqŠCvuƒmƒA‚Ì”ŸM‚Ì•¨ŒêvuŽŽ—ûvu_˜b‚Ì‚¨‚í‚èvuI––‚̍‡¥v
y—§‹³z wŠC’¹‚ÌŽxiX‰ÈŒ¹‘ ìŽCL£—Ê•½ì‹Èj –k‘º‹¦ˆêŽwŠöC‹v玔V‹XP@uƒIƒƒƒ“’¹vuƒGƒgƒsƒŠƒJvuŠC‰Lvu–k‚ÌŠC’¹v
y‘ˆî“cz wŒŽŒõ‚ƃsƒGƒxi–xŒû‘å›{ìŽC´…ãùì‹Èj •Ÿ‰i—zˆê˜YŽwŠö@uŒŽ–évuH‚̃sƒGƒvuƒsƒGƒvuƒsƒGƒ‚Ì’Q‚«vuŒŽŒõ‚ƃsƒGƒ‚ƃsƒGƒŒƒbƒg‚Ì“‚‘–Í—lv
y“Œ‘åz wThe Lamentations of JeremiahxiThomas Tallis ì‹Èj ‘O“cKŽs˜YŽwŠö@uINCIPIT LAMENTATIOvuALEPHvuBETHvuDE LAMENTATIONEvuGHIMELvuDALETHvuHETHv
y‡“¯z w’jº‡¥‚Ì‚½‚߂̃JƒIƒXxi…–ìCFì‹Èj “c’†MºŽwŠöC¡ˆä“ޏŽq ƒIƒ‹ƒKƒ“C‚‹´KŽqE‚‹´~Žq ‘ÅŠyŠí@u‚Pvu‚Qvu‚Rv
‚䂤‚Û‚¤‚ƊȈՕی¯ƒz[ƒ‹

“Œ‹ž•¶‰»‰ïŠÙ

y ŽRŒÃ“°‰¹Œ¹ z

32‰ñ˜Z˜A
( 1983.5.27 )
( 1983.5.29 )
sº˜a 58”Nt
yƒG[ƒ‹ŒğŠ½z u–@­v¢Œcœävu–¾Ž¡vu—§‹³vu“Œ‘åvu‘ˆî“cv
y–@­z w•—‚Ì”nx‚æ‚è iHŽR–M°ìŽC•–ž“Oì‹Èj “c’†MºŽwŠö@u‘æ“ñƒ”ƒH[ƒJƒŠ[ƒYv/uŽÅ¶vi’Jìr‘¾˜YìŽEW.S.ƒ}[ƒ”ƒBƒ“–óC•–ž“Oì‹Èj “c’†MºŽwŠö
yŒcœäz wƒhƒrƒ…ƒbƒV[‰Ì‹ÈWx‚æ‚è iC.ƒhƒrƒ…ƒbƒV[ì‹ÈC“¡X”•F•Ò‹Èj ŽO—Ñ‹P•vŽwŠöC“c’†àôŽqP@uNuit d'Etoilesi¯‚Ì‹P‚­–éjvuBeau Soiri”ü‚µ‚¢—[•é‚êjvuMandolineiƒ}ƒ“ƒhƒŠƒ“jvuLa mer est plus belleiŠC‚Í”ü‚µ‚¢EEEjvuIl pleure dans mon coeuriŽ„‚̐S‚É—Ü‚ª‚Ó‚éjvuBallade des Femmes de ParisiƒpƒŠ—‚̃oƒ‰[ƒhjv
y–¾Ž¡z w‚䂤‚ׁCŠC‚ğŒ©‚½xi—Ž‡ŒbŽqìŽC‰¬‹v•Û˜a–¾ì‹Èj ŠOŽR_Ž¢ŽwŠöCã‰ª•q”VP@uPRELUDEvu”ªŒŽi‚ ‚«‚ç‚ß‚ÌŠCjvu‹ãŒŽi‹€‚¿‚½¬Mjvu\ŒŽišL‚­jvu‚»‚µ‚ă‰ƒ‰ƒoƒCv
y—§‹³z wŒäæuiƒIƒ‰ƒVƒ‡jxi‘哇ƒ~ƒ`ƒ‹ìŽEì‹Èj –k‘º‹¦ˆêŽwŠöCÂŽR’q‰pŽqE‹v玔V‹XPCã–쏲ŽqE—яƒˆê˜Y ƒp[ƒJƒbƒVƒ‡ƒ“@uƒKƒ‰ƒT“¹iƒhƒEjvuAve Mariavu–ª—xiƒ~ƒmƒˆƒEjvuŽ‚Žq‚Ì‹ƒ‚«‰SvuŒäæuiƒIƒ‰ƒVƒ‡jv
y“Œ‘åz w–앪xiˆäã–õìŽCûü“cŽO˜Yì‹Èj ‘O“cKŽs˜YŽwŠöC¬Œ`^ŽqP@uŠC•Óvu–앪vu–Ø”TˆÉi‚İ‚¢‚çjv
y‘ˆî“cz wˆ¤‚Ì‰Ì -ƒuƒ‰[ƒ€ƒX¶’a‚P‚T‚O”N‹L”O-xiF.G. ƒ_ƒEƒ}[EJ.W. ƒQ[ƒeìŽCJ.ƒuƒ‰[ƒ€ƒXì‹ÈC•Ÿ‰i—zˆê˜Y•Ò‹Èj •Ÿ‰i—zˆê˜YŽwŠöC玔V‹XE’r’J—æŽqP@u“š‚¦‚扳—‚ævu‘å”g‚ÍŠâ•Ó‚É‚´‚í‚ß‚­vu‚¨‚¨—’B‚ævu‰½‚Æ”g‚ªŸ‚ñ‚Å‚¢‚邱‚Æ‚©vu–ééò‚ª‚«‚ê‚¢‚ɉ̂¤vuˆ¤‚͈¢Bvu“ğ‚Ì“µ‚ª‚₳‚µ‚­vu¬‚³‚ȉˆ¤‚炵‚¢’¹‚ªvuƒhƒiƒE‰Í‚̊ݕӂɁvu¢l‚Ɛe‚µ‚Ş‚±‚Æ‚Í‚Å‚«‚ʁvu‚³‚ Cù‘O‰®‚ævuŒ‹‚сv
y‡“¯z wƒ}ƒhƒŠƒKƒ‹xiV”ü“¿‰pì‹Èj •Ÿ‰i—zˆê˜YC‹v玔V‹XPCƒp[ƒJƒbƒVƒ‡ƒ“ƒOƒ‹[ƒv '72
yƒAƒ“ƒR[ƒ‹z uU BOJv
“Œ‹žŒú¶”N‹à‰ïŠÙ

“Œ‹ž•¶‰»‰ïŠÙ

y ŽRŒÃ“°‰¹Œ¹ z

31‰ñ˜Z˜A
( 1982.5.8 )
i’‹E–éj
sº˜a 57”Nt
yƒG[ƒ‹ŒğŠ½z u‘ˆî“cvu–@­v¢Œcœävu—§‹³vu–¾Ž¡vu“Œ‘åv
y‘ˆî“cz wROBERT SHAW CHORAL SERIES -A SONG OF LOVE-xiAlice ParkerERobert Shaw •Ò‹Èj •Ÿ‰i—zˆê˜YŽwŠö@uDie LoreleivuLa TararavuMarianinavuStodle PumpavuLoch LomondvuVive L'Amourv
y–@­z w‚ӂ邳‚Ɓxi@¶‹ßìŽCŽO‘PWì‹Èj “c’†MºŽwŠöC“c’†àôŽqP
yŒcœäz wThe Student PrinceiŠw¶‰¤Žqjx‚æ‚è (D. Donnely ìŽCS. Romberg ì‹ÈC•Ÿ‰i—zˆê˜Y•Ò‹È) ”¨’†—Ç•ãŽwŠöCŽO‰Y—mˆêP@uGolden DayvuDrinking SongvuDeep In My Heart, DearvuSerenadevuStudent March Songv
y—§‹³z wì‚æ ‚Æ‚í‚É”ü‚µ‚­xi•Ä“c‰hììŽCŽOŽ}¬Íì‹Èj–k‘º‹¦ˆêŽwŠöC‹v玔V‹XPCŒü’JŽÀ ƒVƒ“ƒZƒTƒCƒU[@uŽß“N“¹“¶Žqvu‰i‰“‚̐ìvur”p‚É—§‚¿‚āvuÃ–¬‚̐ìvuì‚æ ‚Æ‚í‚É”ü‚µ‚­v
y–¾Ž¡z w—¬•X‚Ì‚¤‚½xiˆ¢•”•ÛìŽC“’ŽRºì‹Èj ŠOŽR_Ž¢ŽwŠöCã‰ª•q”VP@u—΂̜A–ì‚É•ú‚āvu“ú‚Ü‚í‚è‚̉́vuƒ|ƒvƒ‰‚Í”R‚¦‚Ä‚¢‚½vu—¬•X‚Ì‚¤‚½vuŒõ‚ÌŽ]‰Ìv
y“Œ‘åz wŽOº‚̃~ƒTxiA. Lotti ì‹Èj ‘O“cKŽs˜YŽwŠö@uKyrievuGloriavuCredovuSanctusvuAgnus Deiv
y‡“¯z wŠC‚̍\}xi¬—яƒˆêìŽC’†“cŠì’¼ì‹ÈC•Ÿ‰i—zˆê˜Y•Ò‹Èj ŒIŽR•¶ºŽwŠöC“c’†àôŽqP@uŠC‚Æ’±vuŠC—i‚ ‚܁j—çŽ]vu‚©‚à‚߂̉́vu_˜b‚Ì‹lv
“Œ‹ž•¶‰»‰ïŠÙ

y ŽRŒÃ“°‰¹Œ¹ z

30‰ñ˜Z˜A
( 1981.5.16 )
( 1981.5.17 )
sº˜a 56”Nt
yƒG[ƒ‹ŒğŠ½z u“Œ‘åvu–¾Ž¡vu—§‹³vu–@­vu‘ˆî“cv¢Œcœäv
y“Œ‘åz wMISSA TEMPORE BELLIxiEttore Desderi ì‹Èj ‘O“cKŽs˜YŽwŠö@uKyrievuGloriavuSanctusvuBenedictusvuAgnus Deiv
y–¾Ž¡z w’jº‡¥‚Ì‚½‚߂̌܂‚̃‰ƒƒ“ƒgxi‘–ìS•½ìŽCL£—Ê•½ì‹Èj ŠOŽR_Ž¢ŽwŠö@u\Žš‰Ëvu‚³‚₤‚È‚çˆê–œ”Nvu“V‚̃xƒ“ƒ`vuƒI[ƒ{ƒG‚̉_vuVolgav
y—§‹³z w‚³‚·‚炤Žál‚̉́xiG. Mahler ìŽEì‹ÈC•Ÿ‰i—zˆê˜Y•Ò‹Èj –k‘º‹¦ˆêŽwŠöC•–؉xŽqP@uWenn mein Schatz Hochzeit machtiŒN‚ª‚Ƃ‚®“ú‚ɁjvuDing heut Morgen über's Feldi˜I‚µ‚°‚«’©‚Ì–ì‚ׂɁjvuIch hab' ein glühend MesseriŽÜ”M‚¹‚é’Z“‚à‚ājvuDie zwei blauen Augen von meinem schatziŒN‚ªÂ‚«‚ЂƂ݁jv
y–@­z wƒNƒŒ[‚ÌŠG–{ ‘æ‚QWxi’Jìr‘¾˜YìŽCŽO‘PWì‹Èj “c’†MºŽwŠö@u•‚¢‰¤—lvuƒPƒ‹ƒgƒhƒ‰ƒ€‘tŽÒvu‰©‹à‚Ì‹›vu‚Ü‚¶‚ß‚ÈŠç‚‚«vuŽ€‚ƉŠv
y‘ˆî“cz wŒõ‚鍻”™xi–îàVÉìŽC”‹Œ´‰p•Fì‹ÈC•Ÿ‰i—zˆê˜Y•Ò‹Èj •Ÿ‰i—zˆê˜YŽwŠöC‘å“¡—æŽqP@uÄ‰ïvu—ö‚ÌŽi‚¤‚½j‚Å‚à“Ç‚ñ‚¾‚ ‚Ƃ̂悤‚Ɂvu‘tvuŠC•Ó‚Łvu‚Ù‚½‚é‚͐¯‚É‚È‚Á‚½vu—ŽÎvuH‚̌ߌãvu‚³‚Ñ‚µ‚¢“¹vu‚ӂ邳‚Ɓv
yŒcœäz wˆ¤‚̉́CVEˆ¤‚̉́x‚æ‚è iF.G.ƒ_ƒEƒ}[EJ.W.ƒQ[ƒeìŽCJ.ƒuƒ‰[ƒ€ƒXì‹ÈC•Ÿ‰i—zˆê˜Y•Ò‹Èj ”¨’†—Ç•ãŽwŠöC`ŽÀE“¡X”•FP@uRede, Mädchen, allzuliebes ! Op.52nr 1vuAm Gesteine rauscht die Flut Op.52 nr 2vuO die Frauen Op.52 nr 2vuSieh; wie ist die Welle klar ! Op.52 nr 14vuNachtigall, sie singt so schön Op.52 nr 15vuEin dunkeler Schacht ist Liebe Op.52 nr 16vuWenn so lind dein Auge mir Op.52 nr 8vuEin kleiner, hübscher Vogel Op.52 nr 6vuAm Donaustrande Op.52 nr 9vuNein, es ist nicht auszukommen Op.52 nr11vuSchlosser auf, und mache Schlösser Op.52 nr 12vuZum Schluss Op.65 nr 15v
y‡“¯z wŠ^E‘æ“ñxi‘–ìS•½ìŽC‘½“c••Fì‹Èj –k‘º‹¦ˆêŽwŠö@u’a¶“úvu‚½‚Ü‚²‚½‚¿‚Ì‚¢‚é•—Œivu‰Í“¶‚ÆŠ^vu‚²‚Ñ‚ç‚‚ӂ̓Ɣ’vuŸŽè‚ȃR[ƒ‰ƒXvu–S—ìv
yƒAƒ“ƒR[ƒ‹z uÅãìM‰ÌviŽRŒ`Œ§–¯—wC´…ãùì‹Èj
“Œ‹ž•¶‰»‰ïŠÙ

“Œ‹žŒú¶”N‹à‰ïŠÙ

y ŽRŒÃ“°‰¹Œ¹ z

29‰ñ˜Z˜A
( 1980.5.10 )
i’‹E–éj
sº˜a 55”Nt
Šg‘å‰æ–ʂցyƒG[ƒ‹ŒğŠ½z ¢Œcœävu–@­vu‘ˆî“cvu—§‹³vu“Œ‘åvu–¾Ž¡v
Šg‘å‰æ–ʂցyŒcœäz wƒVƒxƒŠƒEƒX‰Ì‹ÈWx‚æ‚è iJ. ƒVƒxƒŠƒEƒXì‹ÈC“¡X”•F•Ò‹Èj ”¨’†—Ç•ãŽwŠöCŽO‰Y—mˆêP@uVar det en dröm ?i–²‚Å‚ ‚Á‚½‚©jvuDemanten pa marssoöniŽOŒŽ‚̐á‚̏ã‚̃_ƒCƒ„ƒ‚ƒ“ƒhjvuSvarta rosori•‚¢ƒoƒ‰jvuSäf, säf, susaiˆ¯‚æ ‚»‚æ‚°jvuFlickan kom ifran sin älskling möteiˆ§ˆø‚«‚©‚ç‹A‚Á‚½‰³—jv
y–@­z w‰ñ•—‰Ìxi–Ø“‡ŽnìŽC‚‹´—IŽ¡ì‹Èj “c’†MºŽwŠö
y‘ˆî“cz w–¦‚Ì•æxi–x“c‘P‰qìŽCš£ˆÉ‹è–ì‹ÈC•Ÿ‰i—zˆê˜Y•Ò‹Èj •Ÿ‰i—zˆê˜YŽwŠöCŽO‰Y—mˆêP
y—§‹³z w‚±‚Ƃ΂ ‚»‚Ñ‚¤‚½ II xi’Jìr‘¾˜YìŽCV”ü“¿‰pì‹Èj –k‘º‹¦ˆêŽwŠöC•–؉xŽqP@u‚©‚Á‚ρvu‚¤‚Æ‚Ä‚Æ‚±vu‚½‚»‚ª‚êvu‚³‚év
y“Œ‘åz wŽOº‚̃~ƒTxiW. Byrd ì‹Èj ‘O“cKŽs˜YŽwŠö@uKYRIEvuGLORIAvuCREDOvuSANCTUSvuBENEDICTUSvuAGNIS DEIv
y–¾Ž¡z wŒŽ‰º‚̈êŒQxi–xŒû‘å›{–󎍁C“ìO–¾ì‹Èj ŠOŽR_Ž¢ŽwŠöC¬—ÑŒ÷P@u¬‹ÈviƒtƒBƒŠƒvƒXEƒVƒƒƒ”ƒ@ƒlƒbƒNƒXìŽj/u—Ö—x‚èviƒ|[ƒ‹EƒtƒH[ƒ‹ìŽj/ul‚ÌŒ¾‚Ó‚±‚Æ‚ğM‚¶‚é‚ȁviƒtƒ‰ƒ“ƒVƒXEƒWƒƒƒ€ìŽj/uŠC‚æ<Ã–°‰Ì>viƒAƒ“ƒhƒŒEƒXƒs[ƒ‹ìŽj/uH‚ÌŠCviƒ|[ƒ‹Eƒ”ƒFƒ‹ƒŒ[ƒkìŽj
Šg‘å‰æ–ʂցy‡“¯z w‚䂤‚₯‚̉́xiŽRè—mìŽC“’ŽRºì‹Èj ŠOŽR_Ž¢ŽwŠöC‘“cOºP
yƒAƒ“ƒR[ƒ‹z uU BOJv
“Œ‹ž•¶‰»‰ïŠÙ

y ŽRŒÃ“°‰¹Œ¹ z

28‰ñ˜Z˜A
( 1979.5.5 )
i’‹E–éj
sº˜a 54”Nt
yƒG[ƒ‹ŒğŠ½z u“Œ‘åvu–¾Ž¡v¢Œcœävu–@­vu‘ˆî“cvu—§‹³v
y“Œ‘åz wƒwƒ‹ƒ_[ƒŠƒ“‚ÌŽ‚É‚æ‚é’jº‡¥‹ÈxiF. Hölderlin ìŽCK. Bleyle ì‹Èj ‘O“cKŽs˜YŽwŠö@uDie Nachti–éjvuHälfte des Lebensi¶‚Ì‚È‚©‚΁jvuDiotimaiƒfƒBƒIƒeƒB[ƒ}jv
y–¾Ž¡z wƒJƒ€ƒC‚̐X‚Łxi”‹Œ´vìŽCL£—Ê•½ì‹ÈC‰““¡‰ë•v•Ò‹Èjy’jº”ŏ‰‰‰z ŠOŽR_Ž¢ŽwŠöC¬—ÑŒ÷P@u‚Ğ‚®‚Ü‚Ì‚¤‚½iƒLƒ€ƒCEƒJƒ€ƒCjvu‚µ‚Ü‚è‚·‚Ì‚¤‚½iƒJƒXƒGƒNƒ‹ƒNƒ‹jvu‚±‚Ì‚Í‚¸‚­‚Ì‚¤‚½iƒgƒLƒbƒgEƒJƒ€ƒCjvu‚­‚Ü‚°‚ç‚Ì‚¤‚½iƒ`ƒvƒ^ƒJƒbƒvEƒJƒ€ƒCjvu‚µ‚Ü‚Ó‚­‚낤‚Ì‚¤‚½iƒRƒ^ƒ“ƒNƒ‹EƒJƒ€ƒCjv
Šg‘å‰æ–ʂցyŒcœäz wƒWƒvƒV[‚Ì‚¤‚½ Op.55xiA. ƒtƒcƒBƒhƒDƒNìŽCA. ƒhƒ”ƒHƒ‹ƒWƒƒ[ƒNì‹ÈC•Ÿ‰i—zˆê˜Y•Ò‹Èj ”¨’†—Ç•ãŽwŠöCŽO‰Y—mˆêP@uMein Lied ertönti‚킪‰Ì‚Ğ‚Ñ‚¯jvuEi, wie mein Triangeli‚«‚¯‚æƒgƒ‰ƒCƒAƒ“ƒOƒ‹jvuRings ist der WaldiX‚Í‚µ‚¸‚©‚Ɂjvu alte Mutteri‚킪•ê‚Ì‹³‚¦‚½‚Ü‚¢‚µ‰ÌjvuReingestimmt die SaiteniŒ·‚𐮂¦‚ājvuIn dem weiten, breiten, luft'gen LeinenkleideiŒy‚¢’…•¨jvuDarf des Falken Schwingei‘é‚ÍŽ©—R‚Ɂjv
y–@­z wC“ñ˜ğŽ]xiŽÄ“c“ì—Yì‹Èj “c’†MºE‚‹´–L‘ ŽwŠö
y‘ˆî“cz w‘–ìS•½‚ÌŽ‚©‚çxi‘–ìS•½ìŽC‘½“c••Fì‹Èj ‰zÀ³“TŽwŠö@uÎ‰Æ䵂ɂāvu“Vvu‹à‹›vu‰Jvu‚³‚­‚çŽU‚év
y—§‹³z wƒA[݉̋ȏWx‚æ‚è iR. HAHNì‹ÈC–k‘º‹¦ˆêE•Û‰„—TŽj•Ò‹Èj –k‘º‹¦ˆêŽwŠöC‹v玔V‹XP@uD'une prisoni˜S–‚©‚çjvuInfidelitei•sŽÀjvuSi mes vers avaient des ailesi‚킽‚µ‚ÌŽ‚É—ƒ‚ª‚ ‚Á‚½‚È‚çjvuQuand je fus pris au pavilloni‚킽‚µ‚ª‚Ƃ肱‚É‚È‚Á‚½‚Æ‚«jvuPaysageiŒiFjvuMaiiŒÜŒŽjv
Šg‘å‰æ–ʂցy‡“¯z wˆ¢”gxiŽO–Ø–«ì‹Èj •Ÿ‰i—zˆê˜YŽwŠö@u‚½‚¢‚µ‚߁i‘â’÷jvu”ž‘Å‚¿vu‚à‚¿‚‚«i–ݝ‘jvu…Žæ‚èvu‚½‚½‚çi“¥èäjv
“Œ‹ž•¶‰»‰ïŠÙ

y ŽRŒÃ“°‰¹Œ¹ z

27‰ñ˜Z˜A
( 1978.4.30 )
( 1978.5.5 )
sº˜a 53”Nt
yƒG[ƒ‹ŒğŠ½z u“Œ‘åvu—§‹³v¢Œcœävu‘ˆî“cvu–¾Ž¡vu–@­v
y“Œ‘åz wí—·xiˆÉ“¡ŒjˆêìŽCûü“cŽO˜Yì‹Èj ‘O“cKŽs˜YŽwŠö@u°–évuˆÙ‹½‚̐ávuŽ©•ª‚ÌŠáv
y—§‹³z w–¦‚Ì•æxi–x“c‘P‰qìŽCš£ˆÉ‹è–ì‹ÈC•Ÿ‰i—zˆê˜YE–k‘º‹¦ˆê•Ò‹Èj –k‘º‹¦ˆêŽwŠöC‹v玔V‹XP
yŒcœäz wƒgƒXƒeƒB‰Ì‹ÈWxiF.P. Tosti ì‹ÈC–k‘º‹¦ˆê•Ò‹Èj –k‘º‹¦ˆêŽwŠöC’Ë“c‰À’jP@uAncora !i‚à‚¤ˆê“xjvuVorreii‚»‚¤‚È‚Á‚Ä‚Ù‚µ‚¢jvuLa SerenataiƒZƒŒƒi[ƒ^jvuTristezzai”ß‚µ‚݁jvuL'ultima CanzoneiÅŒã‚̉́jvuAddio !i‚³‚悤‚È‚çjv
y‘ˆî“cz wŠC‚̍\}xi¬—яƒˆêìŽC’†“cŠì’¼ì‹ÈC•Ÿ‰i—zˆê˜Y•Ò‹Èj •Ÿ‰i—zˆê˜YŽwŠöC‹v玔V‹XP@uŠC‚Æ’±vuŠC——çŽ]vu‚©‚à‚߂̉́vu_˜b‚Ì‹lv
y–¾Ž¡z w¡‚Å‚àEEEƒ[ƒZƒL‚Í–‚–@‚̏ñxiŽÄ“c—˜•FìŽC‰““¡‰ë•vì‹Èjy‰‰‰z ŠOŽR_Ž¢ŽwŠö@uˆì‚ê‚éò‚Í“úX‚ğ„‚èvu“¹˜H‚Í‹‘å‚ȃLƒƒƒ“ƒoƒXvu‰Š‚̂悤‚ɁEEEvu‘u‚â‚©‚ȃŒƒ‚ƒ“‚Ì•—‚́vu[‚¢–°‚è‚É•ï‚Ü‚ê‚āvu–¾‚é‚¢Œõ‚É–ž‚¿‚½‹Gß‚͘f‚¢‚ğŽ~‚߁v
y–@­z w‡¥‚Ì‚½‚߂̃Rƒ“ƒ|ƒWƒVƒ‡ƒ“‘æ‚U”ԁxiŠÔ‹{–F¶ì‹Èj “c’†MºŽwŠö@u‘æˆêŠyÍvu‘æ“ñŠyÍvu‘æŽOŠyÍv
y‡“¯z wƒAƒCƒk‚̃Eƒ|ƒ|xi‹ß“¡‹¾“ñ˜YÌ•ˆC´…ãùì‹Èj –k‘º‹¦ˆêŽwŠö@u‚­‚¶‚çÕ‚èvuƒCƒˆƒ}ƒ“ƒeiŒFÕ‚èjvuƒsƒŠƒJ ƒsƒŠƒJvu“úHŒŽH‚É‹F‚é‰Ìvu—ö‰ÌvuƒŠƒ€ƒZi—Ö•‘jv
a’JŒö‰ï“°

“Œ‹ž•¶‰»‰ïŠÙ

y ŽRŒÃ“°‰¹Œ¹ z

26‰ñ˜Z˜A
( 1977.5.7 )
i’‹E–éj
sº˜a 52”Nt
yƒG[ƒ‹ŒğŠ½z u–@­vu‘ˆî“cvu–¾Ž¡vu“Œ‘åvu—§‹³v¢Œcœäv
y–@­z wƒ‹ƒtƒ‰ƒ“xiŽO‘PW•Ò‹Èjy‰‰‰z “c’†MºŽwŠö@u’†‘’n•û‚ÌŽqŽç‰Svu‚¨‰ÙŽq‚Æ–ºvuƒJƒ`ƒ…[ƒVƒƒ‚̉Svuž½Žq‚ÌŽÀvu–g‚ğ‚¨‚³‚߂āv
y‘ˆî“cz w“‡‚æxiˆÉ“¡ŠC•FìŽC‘å’†‰¶ì‹ÈC•Ÿ‰i—zˆê˜Y•Ò‹Èj •Ÿ‰i—zˆê˜YŽwŠöC‹v玔V‹XP@u I vu II vu III vu IV vu V vu VI v
y–¾Ž¡z w‚킪‚Ó‚é‚«“ú‚Ì‚¤‚½xiŽOD’BŽ¡ìŽC‘½“c••Fì‹Èjy‰‰‰z ŠOŽR_Ž¢ŽwŠö@uáK‚Ì‚¤‚ցvuŒÎ…vuEnfance finiei‰ß‚¬‹Ž‚肵Žq‹ŸŽž‘ãjvu–Ø“evu‹½Dvuà–‚è‚ʁvuá‚Í‚Ó‚év
y“Œ‘åz wMesse SolennellexiArbert Duhaupas ì‹Èj ‘O“cKŽs˜YŽwŠöCA“c‹`Žq ƒIƒ‹ƒKƒ“@uKyrievuGloriavuCredovuAgnus Deiv
y—§‹³z wŠ^xi‘–ìS•½ìŽC–x‰xŽqì‹Èj –k‘º‹¦ˆêŽwŠöC‹v玔V‹XP@u‚¢‚ځvuÂƒC‰Ôvu‰Í“¶‚ÆŠ^vuŽÖÕ‚èsivu‚¨‚ê‚à–°‚炤vu‹F‚è‚̉́v
yŒcœäz w‚³‚·‚炤Žál‚̉́xi‚fEƒ}[ƒ‰[ìŽEì‹ÈC•Ÿ‰i—zˆê˜Y•Ò‹Èj ”¨’†—Ç•ãŽwŠöC‰Ô‰ªçtP@u‚¢‚Æ‚µ‚¢‚Ğ‚Æ‚ª‚Ƃ‚¢‚Å‚ä‚­‚Ɓvu‚±‚Ì’© –ì‚ğ‚䂯‚΁vuŽ„‚ÍŽÜ”M‚µ‚½“‚ğ‚à‚Á‚Ä‚¢‚½vu‚¢‚Æ‚µ‚¢‚ЂƂ̐‚¢‚ЂƂ݂́v
y‡“¯z w•xŽmŽRxi‘–ìS•½ìŽC‘½“c••Fì‹Èj ŠÖ‰®WŽwŠö@uì•i‘æšãvuì•i‘æãævuì•i‘æE—¤vuì•i‘æEŽJvuì•i‘ææƏEšãi‰F’ˆü•xŽmjv
“Œ‹ž•¶‰»‰ïŠÙ

y ŽRŒÃ“°‰¹Œ¹ z

25‰ñ˜Z˜A
( 1976.5.15 )
i’‹E–éj
sº˜a 51”Nt
yƒG[ƒ‹ŒğŠ½z u–@­v¢Œcœävu‘ˆî“cvu“Œ‘åvu—§‹³vu–¾Ž¡v
y–@­z w‰¤‘·•s‹AxiŽOD’BŽ¡ìŽCŽO‘PWì‹Èj “c’†MºŽwŠöC“c’†àôŽqP@u I vu II vu III v
yŒcœäz wƒfƒ…ƒpƒ‹ƒN‰Ì‹ÈWxiHenri Duparc ì‹ÈC–k‘º‹¦ˆê•Ò‹Èj ”¨’†—Ç•ãŽwŠöCŽO‰Y—mˆêP@uL'INVITATION AU VOYAGEi—·‚Ö‚Ì—U‚¢jvuEXTASEiœ’›jvuCHANSON TRISTEi”ß‚µ‚«‰ÌjvuPHIDYLɁiƒtƒBƒfƒBƒŒjv
y‘ˆî“cz wˆ¢”gxiŽO–Ø–«ì‹Èj óˆä—Ç”VŽwŠö@u‚½‚¢‚µ‚ß(‘â’÷)vu”ž‘Å‚¿vu‚à‚¿‚‚«(–ݝ‘)vu…Žæ‚èvu‚½‚½‚ç(çDèä)v
y“Œ‘åz w‘æ 2ƒ~ƒT‹ÈxiCharles Gounod ì‹Èj ‘O“cKŽs˜YŽwŠöC“‡“c—íŽqP@uKyrievuGloriavuSanctusvuO SalutarisvuAgnus Deiv
y—§‹³z w“ú—j“ú|‚Ğ‚Æ‚è‚Ú‚Á‚¿‚Ì‹F‚è|xi–H—‰‘׎OìŽC“ìˆÀ—Yì‹Èj •Û‰„—TŽjŽwŠöC‹v玔V‹XP@u’©vuŠX‚Łvu‚©‚¦‚蓹vu‚Ä‚ª‚݁vu‚¨‚â‚·‚݁v
y–¾Ž¡z wƒqƒ“ƒfƒ~ƒbƒg‚Ì’jº‡¥‹Èx‚æ‚è iPaul Hindemith ì‹Èj ŠOŽR_Ž¢ŽwŠö@uDer TodiŽ€jvuEine lichte Mitternachti”––¾‚è‚̐^–é’†jvuDu musst dir Alles gebeni“ğC‘S‚Ä‚ğ—^‚¤‚ׂµjvuDie StiefmutteriŒp•êjvuDas verfluchte Geldi‹–œ‚Ì•xjvuErster Schneei‰ájv
y‡“¯z wŒŽŒõ‚ƃsƒGƒxi–xŒû‘å›{ìŽC´…ãùì‹Èj –k‘º‹¦ˆêŽwŠö@uŒŽ–évuH‚̃sƒGƒvuƒsƒGƒvuƒsƒGƒ‚Ì’Q‚«vuŒŽŒõ‚ƃsƒGƒ‚ƃsƒGƒŒƒbƒg‚Ì“‚‘–Í—lv
“Œ‹ž•¶‰»‰ïŠÙ

y ŽRŒÃ“°‰¹Œ¹ z

24‰ñ˜Z˜A
( 1975.5.3 )
i’‹E–éj
sº˜a 50”Nt
yƒG[ƒ‹ŒğŠ½z u–¾Ž¡vu“Œ‘åvu‘ˆî“cvu—§‹³v¢Œcœävu–@­v
y–¾Ž¡z wƒtƒH[ƒŒ‰Ì‹ÈWxiGabriel Faure ì‹ÈC–k‘º‹¦ˆê•Ò‹È) ŠOŽR_Ž¢ŽwŠöCìŒûk•½P@uLydiaiƒŠƒfƒBƒAjvuApres un Revei–²‚Ì‚ ‚ƂɁjvuLa Canson du Pecheuri‹™•v‚̉́jvuTristessei”ß‚µ‚݁jvuHymneiŽ^‰Ìjv
y“Œ‘åz wƒRƒ_[ƒC‚̍‡¥‹Èx‚æ‚è iKodaly Zoltan ì‹Èj ‹{‰º³ŽwŠö@uKit Kene elvenni ?i’N‚ÆŒ‹¥‚µ‚悤‚©‚ȁjvuFoelszallott a PavaiE‚Í•‘‚¢ã‚ª‚éjvuBordaliŽğ‚̉́jvuIsten Csodajai_‚ÌŠïÖjv
y‘ˆî“cz w–¦‚Ì•æxi–x“c‘P‰qìŽCš£ˆÉ‹è–ì‹ÈC•Ÿ‰i—zˆê˜Y•Ò‹Èj •Ÿ‰i—zˆê˜YŽwŠöCŽO‰Y—mˆêP
y—§‹³z wƒŒƒNƒCƒGƒ€x‚æ‚è iG. Faure ì‹ÈCXŠ_Œjˆê•Ò‹Èj X–{‹±³ŽwŠöC‚q‚`‚lŽº“àŠÇŒ·Šy’c@uIntroitus et KyrievuOffertoirevuAgnus Deiv
yŒcœäz wTHE STUDENT PRINCExiDorothy Donnelly ìŽCSigmund Romberg ì‹ÈC–k‘º‹¦ˆê•Ò‹Èj ”¨’†—Ç•ãŽwŠöC‹àˆä‹IŽqP@uGolden DaysvuDrinking SongvuDeep In My Heart, DearvuSerenadevuStudent March Songv
y–@­z wäݍΗ¬‚µxiŽÄ“c“ì—Yì‹Èj “c’†MºŽwŠö
y‡“¯z uX‚Ì–é‚̉́viF. Schubert ì‹Èj ŠOŽR_Ž¢ŽwŠö
yƒAƒ“ƒR[ƒ‹z u—y‚©‚È—F‚Ɂv
“Œ‹ž•¶‰»‰ïŠÙ

y ŽRŒÃ“°‰¹Œ¹ z

23‰ñ˜Z˜A
( 1974.5.19 )
i’‹E–éj
sº˜a 49”Nt
yƒG[ƒ‹ŒğŠ½z u‘ˆî“cvu—§‹³vu“Œ‘åv¢Œcœävu–@­vu–¾Ž¡v
y‘ˆî“cz w‡¥‚Ì‚½‚߂̃Rƒ“ƒ|ƒWƒVƒ‡ƒ“ IIIxiŠÔ‹{–F¶ì‹Èj –xr•ãŽwŠö@u䃁vuã¹ê‰vuˆø‚«”O•§v
y—§‹³z wƒŒƒNƒCƒGƒ€xiŽO–Ø–«ì‹Èj ¬—ÑŒ¤ˆê˜YŽwŠöCÄ“¡Žl˜Y“Ə¥C—é–Ø—•vE‰¬‹v•Û˜a–¾P@u‘æˆêŠyÍvu‘æ“ñŠyÍvu‘æŽOŠyÍv
y“Œ‘åz w‚悾‚©‚̐¯xi‹{‘òŒ«Ž¡ìŽC¬‘q˜N ‰ÌŽ•ÒìEì‹Èjy’jº”ŏ‰‰‰z ‘O“cKŽs˜YŽwŠö@¢‚悾‚©‚Í‚İ‚É‚­‚¢’¹‚Å‚·Bvu‚ł́C‚悾‚©‚É‘é‚Æ‚¢‚¤–¼‚ª‚‚¢‚½‚±‚Ƃ́CvuŽE‚³‚ê‚é---vuŽRÄ‚¯‚̉΂ª”R‚¦‚ĉ“‚¢ŽRÔ‚­vu–l‚ª‰H’Ž‚âb’Ž‚ğH‚ׂ饥¥Bvu‚悾‚©‚Í‘ƒ‚Ì’†‚ğ‚«‚¿‚ñ‚Æ•Ğ•t‚¯Cv
yŒcœäz wƒ`ƒƒƒCƒRƒtƒXƒL[‰Ì‹ÈWxiP. Tchaikovskii ì‹ÈC•Ÿ‰i—zˆê˜Y•Ò‹Èj ”¨’†—Ç•ãŽwŠöCŽO‰Y—mˆêP@u‰½ŒÌ‚ɁHvu‚³‚킪‚µ‚¢•‘“¥‰ï‚ŁvuŒê‚é‚ȁC—F‚ævu—BC“²‚ê‚ğ’m‚éŽÒ‚Ì‚İ‚ªvuƒhƒ“Eƒtƒ@ƒ“‚̃ZƒŒƒi[ƒfv
y–@­z wSymposium II (”‰Æ˜_‘p‘æ“ñ)xiBertholt Brecht ìŽC’·’JìŽl˜Y–󎍁C‘½“c••Fì‹Èj “c’†MºŽwŠö
y–¾Ž¡z w’†Š¨•‚ÌŽ‚©‚çxi’†Š¨•ìŽC‘½“c••Fì‹Èj ŠOŽR_Ž¢ŽwŠö@uŠG“úŽPvu’ցvuŽl\vu‚قق¶‚ë‚̐ºvu‚©‚à‚߁vu‚ӂ蔄‚èvu’ljHªv
y‡“¯z w–¾“ú‚Ö‚Ì‘«‰¹xi’†‘ºç‰hŽqìŽCÎˆäŠ½ì‹Èj ˆÉ“¡‹žŽqŽwŠöCŽO‰Y—mˆêP@u‚Ђ΂è‚Í’m‚ç‚Ê‚°‚Ɂvuoªvu‚à‚µ‚à‚µ‚³‚悤‚È‚çvuŽqŽç‚¤‚½v
yƒAƒ“ƒR[ƒ‹z uU Bojv
“Œ‹ž•¶‰»‰ïŠÙ

y ŽRŒÃ“°‰¹Œ¹ z

22‰ñ˜Z˜A
( 1973.5.27 )
i’‹E–éj
sº˜a 48”Nt
yƒG[ƒ‹ŒğŠ½z u—§‹³vu–@­vu–¾Ž¡vu“Œ‘åv¢Œcœävu‘ˆî“cv
y–@­z wMissa O Magnum MysteriumxiTomas Luis de Victoria ì‹ÈCŠFì’B•v•Ò‹Èj “c’†MºŽwŠö@uKyrievuGloriavuCredov
y–¾Ž¡z wSea ChantyxiAlice ParkerERobert Shaw •Ò‹Èj ŠOŽR_Ž¢ŽwŠö@uWhup ! JamboreevuWhat Shall We Do With The Drunken SailorvuGood-Bye, Fare Ye WellvuSwansea TownvuThe Drummer And The CookvuShenandoahv
y“Œ‘åz wMissa BrevisxiJoseph Haydn ì‹Èj ‘O“cKŽs˜YŽwŠöCª–{ŠôP@uKyrievuGloriavuCredovuSanctusvuBenedictusvuAgnus Deiv
yŒcœäz w‰^–½‚̉́xiƒuƒ‰[ƒ€ƒXì‹ÈC–k‘º‹¦ˆê•Ò‹Èj ”¨’†—Ç•ãŽwŠöC‹v玔V‹XP
y‘ˆî“cz w…‚Ì‚¢‚Ì‚¿xiûü–ìŠì‹v—YìŽCûü“cŽO˜Yì‹Èj –k‰YŒåŽwŠöCa’J‚é‚èŽqP@u‰Jvu…‚½‚Ü‚èvuìvuŠCvuŠC‚æv
y—§‹³z wŒÍ–Ø‚Æ‘¾—z‚̉́xi’†“c_ˆê˜YìŽCÎˆäŠ½ì‹Èj ¬—ÑŒ¤ˆê˜YŽwŠöC•ÄŽRtŒbP@uŒÍ–Ø‚Í“Æ‚è‚ŏ¥‚¤vu‰Ô‚Æ‘¾—z‚̉ï˜bvu“~‚Ì–é‚̖،͂µ‚̍‡¥vuŒÍ–Ø‚Í‘¾—z‚É‹F‚év
y‡“¯z w‚³‚܂悦‚éƒIƒ‰ƒ“ƒ_lx‚æ‚è iR. Wagner ì‹Èj ¬—ÑŒ¤ˆê˜YŽwŠöCVŒğ‹¿Šy’c@u…•v‚̍‡¥v
“Œ‹ž•¶‰»‰ïŠÙ

y ŽRŒÃ“°‰¹Œ¹ z

21‰ñ˜Z˜A
( 1972.5.21 )
i’‹E–éj
sº˜a 47”Nt
yƒG[ƒ‹ŒğŠ½z u‘ˆî“cvu–@­vu–¾Ž¡vu“Œ‘åvu—§‹³v¢Œcœäv
y–@­z wMISSA MATER PATRISxiJosquin des Prez ì‹ÈCŠFì’B•v•Ò‹Èj “c’†MºŽwŠö@uKrievuGloriavuCredov
y—§‹³z w…‚Ì‚¢‚Ì‚¿xiûü–ìŠì‹v—YìŽCûü“cŽO˜Yì‹Èj ¬—ÑŒ¤ˆê˜YŽwŠöC—é–Ø—•vP@u‰Jvu…‚½‚Ü‚èvuìvuŠCvuŠC‚æv
y‘ˆî“cz wžD–ì‚ğ‚ä‚­xiŠ—ǘYìŽCÎˆäŠ½ì‹Èj ‰ª–{r‹vŽwŠö
yŒcœäz wHAIRx‚æ‚è iGalt Mac Dermot ì‹ÈC–k‘º‹¦ˆê•Ò‹Èjy’jº”ŏ‰‰‰z ”¨’†—Ç•ãŽwŠöCŽO‰Y—mˆêP@uAquariusvuDonna-SodomyvuAirvuHairvuBe InvuGood Morning StarshinevuLet The Sunnshine Inv
y“Œ‘åz wŒÜ‚‚̃Xƒƒ”ƒ@ƒLƒA–¯—wxiƒoƒ‹ƒg[ƒNì‹Èj ‘O“cKŽs˜YŽwŠö@uS‚̂₳‚µ‚¢’‡ŠÔ‚½‚¿vuí‘ˆ‚ɍs‚©‚˂΂Ȃç‚Ê‚È‚çvu‚³‚ o‚©‚¯‚悤Cí—F‚½‚¿vu‚à‚µ‚à‚Ì‚±‚Æ‚ª‚ ‚Á‚½‚È‚çvuí‚¢‚Ö—E‚ñ‚ōs‚Á‚½v/wŽl‚‚̌¢ƒnƒ“ƒKƒŠ[–¯—wxiƒoƒ‹ƒg[ƒNì‹Èj ‘O“cKŽs˜YŽwŠö@u‰“‚¢Ì‚É‹³‚¦‚½EEEvu‚ ‚ _‚æC‰½ŒÌŽ„‚͑҂‚©vu‚킪›^‚Ì’ëvuŽÔÏ‚݁v
y–¾Ž¡z wˆ¢”gxiŽO–Ø–«ì‹Èj ŠOŽR_Ž¢ŽwŠö@u‚½‚¢‚µ‚߁i‘â’÷jvu”ž‘Å‚¿vu‚à‚¿‚‚«i–ݝ‘jvu…Žæ‚èvu‚½‚½‚çi“¥èäjv
y‡“¯z w‰Ì”èx‚æ‚è iˆä•š–“ñìŽC´…ãùì‹Èj –k‘º‹¦ˆêŽwŠö@u‹›‘ñi”_‰Æ‘f•`jv/u–ÙŽ¦vi–ØŒ´FˆêìŽC´…ãùì‹Èj –k‘º‹¦ˆêŽwŠö
“Œ‹ž•¶‰»‰ïŠÙ

y ŽRŒÃ“°‰¹Œ¹ z

20‰ñ˜Z˜A
( 1971.5.30 )
i’‹E–éj
sº˜a 46”Nt
yƒG[ƒ‹ŒğŠ½z u‘ˆî“cvu–¾Ž¡vu“Œ‘åvu—§‹³v¢Œcœävu–@­v
y–@­z w•œŠˆÕ‚ÌMASSAx “c’†MºŽwŠö@u“üÕæuviƒOƒŒƒSƒŠƒI¹‰Ìj/uKYRIEviƒMƒ‡[ƒ€EƒhEƒ}ƒVƒ‡[ ì‹Èj/uGLORIAviƒMƒ‡[ƒ€EƒhEƒ}ƒVƒ‡[ ì‹Èj/u¸ŠKæuviƒOƒŒƒSƒŠƒI¹‰Ìj
y“Œ‘åz wƒOƒm[‘æ‚Qƒ~ƒT‹ÈxiCharles Gounod ì‹Èj ‘O“cKŽs˜YŽwŠö@uKYRIEvuGLORIAvuSANCTUSvuO SALUTARISvuAGNUS DEIv
y–¾Ž¡z wNEGRO SPIRITUALSx ŠOŽR_Ž¢ŽwŠö@uNOBODY KNOWS DE TROUBLE I'VE SEENvuLITTLE INNOCENT LAMBvuDEEP RIVERvuDIDN'T MY LORD DELIVER DANIELvuWERE YOU THEREvuHALLELUJAHv
yŒcœäz wŒŽŒõ‚ƃsƒGƒxi–xŒû‘å›{ìŽC´…ãùì‹Èj ”¨’†—Ç•ãŽwŠö@uŒŽ–évuH‚̃sƒGƒvuƒsƒGƒvuƒsƒGƒ‚Ì’Q‚«vuŒŽŒõ‚ƃsƒGƒ‚ƃsƒGƒŒƒbƒg‚Ì“‚‘–Í—lv
y—§‹³z wŽl‹Gxi]–ʍKŽqìŽC¬ŽRÍŽOì‹Èj r–؍G–¾ŽwŠö@utvu‰ÄvuHvu“~v/w¬æŽxi–÷“c‹`—YìŽC¬ŽRÍŽOì‹Èj r–؍G–¾ŽwŠö@uƒpƒŠƒ“ƒJvu‹‚Ì—évu”’‚¢‰Ô‚Ñ‚çv
y‘ˆî“cz wCONCERTO DI VOCIxiCarl Orff ì‹Èj –{r‹vŽwŠö@uIvuIIvuIIIv
y‡“¯z wŒÍ–Ø‚Æ‘¾—z‚̉́xi’†“c_ˆê˜YìŽCÎˆäŠ½ì‹Èj Žè’ˍK‹IŽwŠöC‘O‹´—RŽqP@uŒÍ–Ø‚Í“Æ‚è‚ŏ¥‚¤vu‰Ô‚Æ‘¾—z‚̉ï˜bvu“~‚Ì–é‚̖،͂µ‚̍‡¥vuŒÍ–Ø‚Í‘¾—z‚É‹F‚év
“Œ‹ž•¶‰»‰ïŠÙ

y ŽRŒÃ“°‰¹Œ¹ z

19‰ñ˜Z˜A
( 1970.5.31 )
i’‹E–éj
sº˜a 45”Nt
yŒcœäz wPorgy and Bessx‚æ‚è iG. Gershwin ì‹Èj ”¨’†—Ç•ãŽwŠöCŽO‰Y—mˆêPC£ŽR‰rŽqE’z’n—˜ŽO˜Y“Ə¥@uSummer timevuA woman is a sometime thingvuMy man's gone nowvuOh, I got plenty of nothingvuBess, you is my woman nowvuThere's a boat that leaving soon for New YorkvuBess, Oh where's my Bessvu Oh, Lord ! I'm on my wayv
y—§‹³z wñ‘¾˜Y‚ÌŽl‚‚̎xi”‹Œ´ñ‘¾˜YìŽC´…ãùì‹Èj r–؍G–¾ŽwŠö@uŒÜŒŽ‚Ì‹MŒöŽqvuŒÇ“Ɓvu—ztvu—ΐF‚Ì“Jv/w‘åŽè‘ñŽŸ‚ÌŽO‚‚̎xi‘åŽè‘ñŽŸìŽC´…ãùì‹Èj r–؍G–¾ŽwŠö@u‚Æ‚¶‚½Šá‚Ɂvu‚İ‚¸‚¢‚ë‚Ì•—‚ævu‚µ‚ë‚¢‰Î‚ÌŽpv
y‘ˆî“cz w‡¥‚Ì‚½‚߂̃Rƒ“ƒ|ƒWƒVƒ‡ƒ“ IIIxiŠÔ‹{–F¶ì‹Èj à_“c“¿ºŽwŠö@u䃁i‚ëjvuã¹ê‰i‚©‚Á‚±jvuˆø‚«”O•§v
y–¾Ž¡z wŠ^xi‘–ìS•½ìŽC‘½“c••Fì‹Èj ŠOŽR_Ž¢ŽwŠö@uŒj—£‹{’|—Ñ‚Ì–évu•‚¢Š^vuŒÜ•C‚Ì‚©‚¦‚évuŽÖÕ‚èsiv
y–@­z w“ú–{–¯—w‚É‚æ‚é‚P‚Q‚̃Cƒ“ƒ”ƒFƒ“ƒVƒ‡ƒ“x‚æ‚è iŠÔ‹{–F¶ì‹Èj “c’†MºŽwŠö@u•Ä‘‰Svu“cA‰Sv/w‡¥‚Ì‚½‚߂̃Rƒ“ƒ|ƒWƒVƒ‡ƒ“ ‘æ‚U”ԁx‚æ‚è iŠÔ‹{–F¶ì‹Èj “c’†MºŽwŠö@u‚RŠyÍv
y“Œ‘åz wƒ‹ƒlƒbƒTƒ“ƒX‡¥‹ÈWx ’ÃŽRd—YŽwŠö@uIsbruck, ich muss dich lasseniƒCƒ“ƒXƒuƒ‹ƒbƒN‚æC‚³‚悤‚È‚çjvuIl estoit une fillettei—ö‚ÌŽèK‚¢jvuPanis Angelicvs(“VŽg‚̃pƒ“jvuMignonne, allons voir si la rosei”ü‚µ‚«lCƒoƒ‰‚ğˆ¤‚Å‚ñjvuCantata DominoiŽå‚ÉŒü‚©‚Á‚ď¥‚¦jv
y‡“¯z w‘–‚ê‚킪SxiˆÉ“¡ŠC•FìŽC‘å’†‰¶j •Ÿ‰i—zˆê˜YŽwŠöCŽO‰Y—mˆêP
“Œ‹ž•¶‰»‰ïŠÙ

y ŽRŒÃ“°‰¹Œ¹ z

18‰ñ˜Z˜A
( 1969.5.18 )
i’‹E–éj
sº˜a 44”Nt
yƒG[ƒ‹ŒğŠ½z u‘ˆî“cvu“Œ‘åvu–@­vu–¾Ž¡vu—§‹³v¢Œcœäv
y‘ˆî“cz wŒÜ‚‚̊w¶‚̉́xi•ìŠ°ŠCìŽCÎˆäŠ½ì‹Èj Î“cK•vŽwŠö@u‚©‚¿‚Ç‚«vu‰J‚Ì“ú—j“úvuŠÔ‘t‹Èvu‚Œ´‚ɂāvu–åov
y“Œ‘åz w°–éEˆÙ‹½‚̐áxiˆÉ“¡ŒjˆêìŽC‚“cŽO˜Yì‹Èj ‘O“cKŽs˜YŽwŠö
y–@­z wŽn’i‰SEŽU‰Øxi‘á•q˜Y•Ò‹Èj “c’†MºŽwŠö
y–¾Ž¡z wŽOè‚Ì‚¤‚½xi–kŒ´”’HìŽC‘½“c••Fì‹Èj ŠOŽR_Ž¢ŽwŠö@u‹u‚ÌŽOŠp”¨vu”’“ì•—•“ì•—vu‰J’†¬Œivu–Ž‘gv
y—§‹³z wƒCƒMƒŠƒXŒÃ—wWx ’†‘ºŒ’ŽwŠö@uLoch LomondvuDrink to me only with thine eyesvuGreen Grrow the Rashes, OvuHome, Sweet HomevuGreen Sleevesv
yŒcœäz wá–¾‚è‚̘HxiˆÉ“¡®ìŽC‘½“c••Fì‹Èj ”¨’†—Ç•ãŽwŠö@ut‚ğ‘҂vu”~‚¿‚á‚ñvuŒŽ–évu”’‚¢áŽqvu–é‚Ü‚Í‚èvuá–év
y‡“¯z w’qŒbŽq´Šª––‚̘̉ZŽñxi‚‘ºŒõ‘¾˜YìŽC´…ãùì‹Èj ŠOŽR_Ž¢ŽwŠö
yƒAƒ“ƒR[ƒ‹z u‚»‚¤‚ç‚ñßvi‘½“c••F•Ò‹Èj@
“Œ‹ž•¶‰»‰ïŠÙ

y ŽRŒÃ“°‰¹Œ¹ z

17‰ñ˜Z˜A
( 1968.5.26 )
i’‹E–éj
sº˜a 43”Nt
yƒG[ƒ‹ŒğŠ½z u“Œ‘åv¢Œcœävu–@­vu—§‹³vu–¾Ž¡vu‘ˆî“cv
y“Œ‘åz wƒwƒ‹ƒ_[ƒŠƒ“‚ÌŽ‚É‚æ‚éŽO‚‚̒jº‡¥‹ÈxiK.ƒuƒ‰ƒCƒ“ì‹Èj ‘O“cKˆê˜YŽwŠö@u‚¢‚Ì‚¿”¼‚΁vuƒfƒBƒIƒeƒB[ƒ}vu–év
yŒcœäz wNew Moonx‚æ‚è iƒVƒOƒ‚ƒ“ƒhEƒƒ“ƒo[ƒOì‹ÈC•Ÿ‰i—zˆê˜Y•Ò‹Èj ”¨’†—Ç•ãŽwŠöC×ì“N˜YP@uSoftly as in the Morning SunrisevuFunny Little SailormanvuWanting YouvuLover Come Back To MevuStot-Hearted Menv
y–@­z w’jº‡¥‚Ì‚½‚߂̃Rƒ“ƒ|ƒWƒVƒ‡ƒ“‘æ‚Q”ԁi‡¥‚Ì‚½‚߂̃Rƒ“ƒ|ƒWƒVƒ‡ƒ“‘æ‚U”ԁjxiŠÔ‹{–F¶ì‹Èj “c’†MºŽwŠöŽwŠö
y—§‹³z wƒhƒCƒcˆ¤¥‹ÈWx ’†‘ºŒ’ŽwŠö@uHeidenrösleinvuDer TannenbaumvuTreue LiebevuAbschiedvuDu Du Liegstmir In Herzenv
y–¾Ž¡z wNegro Spirituals Choral Seriesx ŠOŽR_Ž¢ŽwŠö@uOh, Lord, Ah got mo trubblevuDidn't my Lord deliver DanielvuSometimes I feel like a motherless childvuSoon-ah will be donevuWere you there?vuJerryv
y‘ˆî“cz wƒhƒCƒc‡¥‹ÈWx ŽR–{Œ’“ñŽwŠö@uDer König in ThulevuSchlafwandelvuGothen treuev
y‡“¯z wŽl‚‚̋F‚è‚̉́xi“¡Œ´‹`‹vì‹Èj ‘O“cKˆê˜YŽwŠö@u‘O‘t‹Èvusi‹È‚̃ŠƒYƒ€‚Łvu’n‹…‚̗΂̋uvuƒƒ“ƒhEƒAƒŒƒ‹ƒ„v
“Œ‹ž•¶‰»‰ïŠÙ

y ŽRŒÃ“°‰¹Œ¹ z

16‰ñ˜Z˜A
( 1967.5.28 )
i’‹E–éj
sº˜a 42”Nt
yƒG[ƒ‹ŒğŠ½z ¢Œcœävu—§‹³vu–@­vu“Œ‘åvu–¾Ž¡vu‘ˆî“cv
Šg‘å‰æ–ʂցyŒcœäz wƒtƒH[ƒŒ‰Ì‹ÈWxi–k‘º‹¦ˆê•Ò‹Èj ”¨’†—Ç•ãŽwŠöC‘åêrˆêP@uLydiavuApres un RevevuLa Chanson du PecheurvuTristeseevuHymnev
y—§‹³z wF.P.ƒgƒXƒeƒB[ ƒƒƒfƒB[ƒAƒ‹ƒoƒ€xi–k‘º‹¦ˆê•Ò‹Èj ’†‘ºŒ’ŽwŠöC×ì“N˜NP@uAprilevuIdealevuL'utima canzonevuAddio !v
y–@­z w’jº‡¥‚Ì‚½‚߂̃Rƒ“ƒ|ƒWƒVƒ‡ƒ“xiŠÔ‹{–F¶ì‹Èj “c’†MºŽwŠö@u䂁vuèàŒÛvuˆø‚«”O•§v
y“Œ‘åz wMessa Solenne Oreste Ravanelloxiƒ‰ƒoƒlƒì‹Èj ‘O“cKˆê˜YŽwŠöC“‡“c—íŽq ƒGƒŒƒNƒg[ƒ“@uKyrievuGloriavuCredovuSanctusvuBenedictusvuAgnus Deiv
y–¾Ž¡z w‰JxiˆÉ“¡®E‘å–Ø“Õ•vE–xŒû‘å›{E”ª–؏d‹gìŽC‘½“c••Fì‹Èj ŠOŽR_Ž¢ŽwŠö@u‰J‚Ì—ˆ‚é‘O‚Ɂvu•‘ –ì‚̉Jvu‰J‚Ì“ú‚Ì—V“®‰~–؁vu\ˆêŒŽ‚É‚Ó‚é‰Jvu‰J‚Ì“ú‚ÉŒ©‚évu‰Jv
y‘ˆî“cz wŒÃ‚«ƒCƒMƒŠƒX–¯—wWx ÎŠÛŠ°ŽwŠöC¼‰ª–¾”ü ƒn[ƒv@uGreen SleevesvuThe three ravensvuWhat shall we do with the drunken sailorvuBonnie DundeevuLondonderry airv
y‡“¯z wHYMNE AN DIE MUSIKx –؉º•ÛŽwŠö
“Œ‹ž•¶‰»‰ïŠÙ
15‰ñ˜Z˜A
( 1966.6.26 )
i’‹E–éj
sº˜a 41”Nt
y—§‹³z w‘å’†‰¶ì•iWxi‘å’†‰¶ì‹Èj ’†‘ºŒ’ŽwŠö@u˜ZŒŽviˆÉ“¡ŠC•FìŽj/u‚Ğ‚Æ‚è—тɁvi—§Œ´“¹‘¢ìŽj/w’¹b’Ž‹›xiã“cŠ°•vìŽj@u‚Å‚ñ‚Å‚ñ‚Ş‚µ‚̉¤—lvu‚³‚©‚È‚ÌŽqŽç‰Ìvu‰Ô‚Ğ‚ç‚«‚Ƃ肤‚½‚¤vu’K”ª¶‰q–åv
y“Œ‘åz wŒŽŒõ‚ƃsƒGƒxi–xŒû‘å›{ìŽC´…ãùì‹Èj ‘O“cKŽs˜YŽwŠö@uŒŽŒõvuH‚̃sƒGƒvuƒsƒGƒvuƒsƒGƒ‚Ì’Q‚«vuŒŽŒõ‚ƃsƒGƒ‚ƃsƒGƒŒƒbƒg‚Ì“‚‘–Í—lv
y–¾Ž¡z w‚킪ÎŒŽxiã“cŠ°•vìŽC‘å’†‰¶ì‹Èj ŠOŽR_Ž¢ŽwŠö@u‚킪“ñŒŽvutvu‹ó’Jvu—tŒŽ‚Ì‚¨ŒŽvu\ŒŽvu‰¹—§‚Ăāv
Šg‘å‰æ–ʂցyŒcœäz w–k‘‚̉́xi‚“cŽO˜Y•Ò‹Èj ”¨’†—Ç•ãŽwŠö@u“ì•”‹’Ç‚¢‰ÌiŠâŽèŒ§jvu‚ف[‚Í‚¢ßiÂXŒ§jvu–ì—lj̎OŠKßiVŠƒŒ§jvu‘Š ‚è‰ÌiH“cŒ§jvu“cA‰ÌiÂXŒ§jv
y–@­z w‰²’O‚ÆŽ‚Žqxi’†‘º–Η²ììŽEì‹Èj ‹{–{º‰ÃŽwŠöCˆÀŒ|‹®ŽqPC“c’†“`Žl˜YE“c’†•Û•F ŒÛC“c’†˜a•F ‘¾ŒÛ
y‘ˆî“cz w“ú–{‚̉SxiÎˆäŠ°ì‹Èj HŽR˜aŒcŽwŠö@u–Ô‹N‚±‚µ‰¹“ªvuŽq’@‚«‰¹“ªvu•lç’¹ßvu‚¨ŒŽ‚³‚Ü‚¢‚­‚vuŠ Š±Ø‰Svu–Ø‘]ßv
Šg‘å‰æ–ʂցy‡“¯z wƒAƒCƒk‚̃Eƒ|ƒ|xii‹ß“¡‹¾“ñ˜YÌ•ˆC´…ãùì‹Èj –k‘º‹¦ˆêŽwŠö@u‚­‚¶‚çÕ‚èvuƒCƒˆƒ}ƒ“ƒeiŒFÕ‚èjvuƒsƒŠƒJ ƒsƒƒJvu“úHŒŽH‚É‹F‚é‰Ìvu—ö‰ÌvuƒŠƒ€ƒZi—Ö•‘jv
“Œ‹ž•¶‰»‰ïŠÙ
14‰ñ˜Z˜A
( 1965.6.6 )
i’‹E–éj
sº˜a 40”Nt
Šg‘å‰æ–ʂցyƒG[ƒ‹ŒğŠ½z u‘ˆî“cvu–¾Ž¡vu–@­vu—§‹³vu“Œ‘åv¢Œcœäv
y‘ˆî“cz wSea Chanty Seriesxir’JrŽ¡•Ò‹Èj r’JrŽ¡ŽwŠöC²“¡Œ\’j ƒAƒR[ƒfƒBƒIƒ“@uA-Rovingi•Y—¬jvuEeri CanaliƒGƒŠ[EƒLƒƒƒiƒ‹jvuThe Golden VanityiƒS[ƒ‹ƒfƒ“ƒoƒjƒeƒB†jvuHual Away, Joeij‚ğˆø‚¯CƒWƒ‡[jvuSailing, Sailingio”¿‚¾Co”¿‚¾jv
y–¾Ž¡z wİ‚肵“ú‚̉́xi’†Œ´’†–çìŽC‘½“c••Fì‹Èj ŠOŽR_Ž¢ŽwŠö@u•ÄŽqvu‘t‚Ì•—vuŠÕŽâvuœvu‚Ü‚½—ˆ‚ñtv
y–@­z w’jº‡¥‚Ì‚½‚߂̃Rƒ“ƒ|ƒWƒVƒ‡ƒ“xiŠÔ‹{–F¶ì‹Èj “c’†MºŽwŠö@u䃁i‚ëjvuã¹ê‰i‚©‚Á‚±jvuˆø‚«”O•§v
y—§‹³z wŒÃ“TƒCƒ^ƒŠƒA‰Ì‹ÈWxi•Ÿ‰i—zˆê˜Y•Ò‹Èj ’†‘ºŒ’ŽwŠöC×ì“N˜YP@uO del mio dolce ardori‚¨‚¨ ‚₳‚µ‚¢—öl‚æjvuGia il sole dal Gangei‘¾—z‚͏¸‚è‚Ê ƒKƒ“ƒWƒX‚æ‚èjvuPiacer d'amoriˆ¤‚Ì‚æ‚낱‚сjvuChi vuol la zingarellaiƒWƒvƒVƒB–º‚ğŒÄ‚Ô‚Ì‚Í’NjvuOmbra mai fukLargoli‰i‰“‚ɖ΂é–؉A‚ækƒ‰[ƒ‹ƒSljv
y“Œ‘åz wŠC‚̃”ƒ@ƒŠƒG[ƒVƒ‡ƒ“xi‘–ìS•½ìŽC²–ì^ì‹Èj ‘O“cKŽs˜YŽwŠö@u“ú–{ŠCvuBering-FantasyvuŠCv
Šg‘å‰æ–ʂցyŒcœäz w’qœ¨Žq´x‚æ‚è i‚‘ºŒõ‘¾˜Yì‰ÌEìŽC´…ãùì‹Èj ”¨’†—Ç•ãŽwŠöC’ÒŒh•vP@uŠª––‚Ì‚¤‚½ ˜ZŽñvuˆ½‚é–é‚Ì‚±‚±‚ëvy‰‰‰z
y‡“¯z w•xŽmŽRx‚æ‚è i‘–ìS•½ìŽC‘½“c••Fì‹Èj •Ÿ‰i—zˆê˜YŽwŠö@uì•i‘æšãvuì•i‘æãævuì•i‘ææƏEšãi‰F’ˆü•xŽmjv
“Œ‹ž•¶‰»‰ïŠÙ
13‰ñ˜Z˜A
( 1964.5.31 )
( 1964.6.1 )
sº˜a 39”Nt
y–¾Ž¡z w•l—ì‰Ìx ŠOŽR_Ž¢ŽwŠö@uAll' Round De Glory MangerviLeonard de Paur •Ò‹Èj/uHumbleviMarshall Bartholomew •Ò‹Èj/uGo down deathviHarold A, Decker •Ò‹Èj/uBones Come A-KnittinviMarshall Bartholomew •Ò‹Èj/uDidn't my Lord delirer DanierviY. Fukunaga Œ‹Èj
y“Œ‘åz w’jº‡¥‚Ì‚½‚߂̘Z‚‚̉̋ȁxiƒVƒ…[ƒ}ƒ“ì‹Èj ‘O“cKŽs˜YŽwŠö@uDer träumede Seei–²‚İ‚éŒÎjviƒ‚[ƒ[ƒ“ìŽj/uDie Minnesängeri‹á—VŽljviƒnƒCƒlìŽj/uDie Lotosblumei˜@‚̉ԁjviƒnƒCƒlìŽj/uDer Zecher als Doktorinäri‹ó˜_‰Æ‚Ì‘åŽğˆù‚݁jviƒ‚[ƒ[ƒ“ìŽj/uRastlose Liebei‹x‚İ‚È‚«ˆ¤jviƒQ[ƒeìŽj/uFrühlingsglockenit‚̏àjviƒ‰ƒCƒjƒbƒNìŽj
y‘ˆî“cz wƒAƒƒŠƒJ–¯—wWxiÎŠÛŠ°•Ò‹Èj ÎŠÛŠ°ŽwŠö@uLolly-too-dumvuBlue Shadoues On The TrailvuThe Sporting BachelorsvuAll The Pretty Li'tle HorsesvuJohn Broun's Bodyv
y—§‹³z wƒƒ“ƒfƒ‹ƒXƒ][ƒ“ì•iWxiƒƒ“ƒfƒ‹ƒXƒ][ƒ“ì‹Èj ’†‘ºŒ’ŽwŠö@uWie selig sind die TodteniŽ€‚¹‚é‚à‚͍̂K‚¢‚È‚èjvuWasserfahrti˜Q˜HjvuJagdliediŽë‚̉́jvuNachtgesangi–é‚̉́jv
y–@­z wŽl‚‚̎dŽ–‰Ìxi¬ŽR´–΍ì‹ÈE•Ò‹Èj “c’†MºŽwŠöCìŠì“c“Ö ‘¾ŒÛ@uš’‚µ“cviL“‡Œ§–¯—wj/uÎØ‰Ìvi‰ªŽRŒ§–¯—wj/u“·‘‚«vi¬ŽR´–΍쎍Eì‹Èj/uŽğ‰®‰SviŠâŽèŒ§–¯—wj
yŒcœäz wSchicksalsliedi‰^–½‚̉́jxiƒuƒ‰[ƒ€ƒXì‹ÈC–k‘º‹¦ˆê•Ò‹Èj –k‘º‹¦ˆêŽwŠöCˆäã’¼KE’ÒŒh•vP
y‡“¯z wMOTETTE Qp.93iVerzweifle nicht im SchmerzensthaljxiƒVƒ…[ƒ}ƒ“ì‹Èjy‰‰‰z “c’†MºŽwŠöC“‡“c—íŽqP
“Œ‹ž•¶‰»‰ïŠÙ
12‰ñ˜Z˜A
( 1963.6.1 )
( 1963.6.2 )
sº˜a 38”Nt
Šg‘å‰æ–ʂցyƒG[ƒ‹ŒğŠ½z u–@­vu“Œ‘åv¢Œcœävu–¾Ž¡vu—§‹³vu‘ˆî“cv
y–@­z wŽO‚‚̖~—x‰Ìxi’†‘º–Η²•Ò‹Èj “c’†MºŽwŠöC‘º¼³Ž ƒsƒbƒRƒC‘“c—mˆê ‘¾ŒÛ@u“úŒõ˜aŠy—xvu–ì—lj̎OŠKßvuˆ¢”g—xv
y“Œ‘åz wKodalyì•iWx ‘O“cKˆê˜YŽwŠö@uFölszallott a paraiE‚Í•‘‚¢ã‚ª‚éjvuEsti dali—[•é‚ê‚̉́jvuBordaliŽğ‚̉́jvuIsten Csodajai_‚ÌŠïÕjv
Šg‘å‰æ–ʂցyŒcœäz wChants d'AuvergneiƒI[ƒxƒ‹ƒjƒ…[‚̉́jxi’†ŽR’mŽq–󎍁C´…ãù•Ò‹Èj ”¨’†—Ç•ãŽwŠö@uBaileroiƒoƒCƒŒƒjvuChutr, ChutiƒVƒ…ƒb ƒVƒ…ƒbjvuBrezairolaiŽqŽç‰SjvuLou CoucutiŠsŒöjvuPasso Per Prati–쌴‚ğs‚­jv
y–¾Ž¡z w˜m‰Èxi’†Š¨•ìŽC‘½“c••Fì‹Èj HŽR“úo•vŽwŠö@u‚͂ˆ¼vu⡁vu¼‚Ó‚«‚ ‚ê‚āvu‚ß‚µvu‰J‚à”ß‚µv
y—§‹³z wƒTƒ“ƒT[ƒ“ƒX’jº‡¥‹ÈWxiƒWƒF[ƒ“Eƒ{ƒ“ƒlƒƒbƒgìŽCŒÃì°•—–󎍁CƒTƒ“ƒT[ƒ“ƒXì‹Èj ˆÉ“¡‰hˆêŽwŠö@u“~‚̃ZƒŒƒi[ƒfvut‚ÌŽ]‰Ìv
y‘ˆî“cz wƒXƒyƒCƒ“‚̉́xiÎŠÛŠ°•Ò‹Èj ÎŠÛŠ°ŽwŠöCŒš•”‰À¢E“n•ÓŒúP@uCordobavuGranadavuSerenatavuMalaguenav
Šg‘å‰æ–ʂցy‡“¯z w“ú–{‚̏M‰Sxi•Ÿ‰i—zˆê˜Y•Ò‹Èj •Ÿ‰i—zˆê˜YŽwŠö@uÅãìM‰SiŽRŒ`Œ§jvu‰¹ŒË‚̏M‰SiL“‡Œ§jvu‚±‚µ‚«“‡M‰SiŽ­Ž™“‡Œ§jv
“Œ‹ž•¶‰»‰ïŠÙ
11‰ñ˜Z˜A
( 1962.6.2 )
( 1962.6.3 )
sº˜a 37”Nt
y–@­z uêt–¾˜‹ÈviƒVƒF[ƒ“ƒLƒ‹ƒqì‹Èj/u‰ä‚ª—¢viƒVƒ…[ƒxƒ‹ƒgì‹Èj r–؍G–¾ŽwŠö
y–¾Ž¡z wlŠÔ‚̉́xi–xŒû‘å›{ìŽC‘½“c••Fì‹Èj HŽR“úo•vŽwŠö@u–D‚Ђ‚¯‚évu—܂̉–vu•l‚Ì‘«Õvu‚Ü‚½ˆê‚vu–Ø‚ª‚炵vu”N‚Ì•Ê‚êv
y‘ˆî“cz w•l—ì‰Ìx ÎŠÛŠ°ŽwŠöC‘åŒÃ“a@ŽO“Ə¥@uLit'le David Play On Yo' HarpvuSteal Away To JesusvuWere You TherevuJoshua Fit The Battle O' Jericov
y—§‹³z uMiserereviƒAƒŒƒOƒŠì‹Èj Žá™OŽwŠö/wƒAƒbƒVƒW‚̐¹ƒtƒ‰ƒ“ƒVƒX‚É‚æ‚éŽl‚‚̏¬‚³‚È‹F‚èxiƒv[ƒ‰ƒ“ƒNì‹Èj@u‚Pvu‚Qvu‚Rvu‚Sv
y“Œ‘åz wSea Chantyx ‘O“cKŽs˜YŽwŠö@uShenandoahvuThe Erie CanalvuRolling HomevuSea Feverv
yŒcœäz wŒŽŒõ‚ƃsƒGƒxi–xŒû‘å›{ìŽC´…ãùì‹Èj ”¨’†—Ç•ãŽwŠö@uŒŽ–évuH‚̃sƒGƒvuƒsƒGƒvuƒsƒGƒ‚Ì’Q‚«vuŒŽŒõ‚ƃsƒGƒ‚ƃsƒGƒŒƒbƒg‚Ì“‚‘–Í—lvi‰¹Œ¹ƒe[ƒv‚̏Šİ‚ª•s–¾‚Ì‚½‚ß“¯”N‚Ì 87‰ñ’èŠú‰‰‘t‰ï‚©‚çŽû˜^j
y‡“¯z w“ú–{ŒÃ—wx ‚æ‚è i–ìKrN ‡¥•Ò‹ÈC‹v–{Œº’q ⵕҋȁj HŽR“úo•vŽwŠö@u‚³‚­‚çvuré‚ÌŒŽvu” ª‚ÌŽRv
“Œ‹ž•¶‰»‰ïŠÙ
10‰ñ˜Z˜A
( 1961.5.27 )
( 1961.5.28 )
sº˜a 36”Nt
y—§‹³z w_‚̐¹ƒˆƒnƒl‚Ì’Z¬ƒ~ƒT‹ÈxiJ.Haydn ì‹Èj ’†ì—mˆêŽwŠöC×ì“N˜YP
y–¾Ž¡z w“ú–{–¯—wWx HŽR“úo•vŽwŠö@u‚³‚ñ‚³Žž‰Jvi‹{éŒ§–¯—wCâ–{—Ç—²ì‹ÈE•Ò‹Èj‘¼
Šg‘å‰æ–ʂցyŒcœäz wƒWƒvƒV[‚̉́xiJ. Brahms ì‹Èjy‰‰‰z ”¨’†—Ç•ãCˆäã’¼KP@uƒnƒCI ƒWƒvƒV[v‘¼
y–@­z u•—‚Ì’†‚ʼn̂¤‹ó‚Á‚Û‚ÌŽqŽç‰Svi‘ Œ´L“ñ˜YìŽC’†‘º–Η²ì‹Èj “c’†MºŽwŠöC“c’†àôŽqP
y“Œ‘åz wƒVƒ…[ƒxƒ‹ƒg‡¥‹ÈWx ‘O“cKŽs˜YŽwŠöC—L”nŒöŽqP@uDie Nachtv‘¼
y‘ˆî“cz w“ú–{–¯—wWx ˆé•”˜æŽwŠö@u‹@D‰Svi´…ãùì‹Èj
Šg‘å‰æ–ʂցy‡“¯z uƒ^ƒ“ƒzƒCƒU[v‚æ‚èu„—ç‚̍‡¥viR.Wagner ì‹Èj/u‚³‚܂悦‚éƒIƒ‰ƒ“ƒ_lv‚æ‚èu…•v‚̍‡¥viR.Wagner ì‹Èj ‘O“cKŽs˜YŽwŠöC—L”nŒöŽqP
‹¤—§u“°
9‰ñ˜Z˜A
( 1960.6.4 )
( 1960.6.5 )
sº˜a 35”Nt
y—§‹³z w•œŠˆÕƒ~ƒTxiThomas Stoltzen ì‹Èj rì—T‰xŽwŠö
y–¾Ž¡z u‘å‹™j‰Ìvu“ì•”‹’lj́vuŒœßv HŽR“úo•vŽwŠö
y‘ˆî“cz w•l—ì‰Ìx ’·‘òŒìŽwŠö@uClimbing Up The Mountainv‘¼
yŒcœäz u‹’Ç‚¢‰SviŠâŽèŒ§–¯—wC´…ãùì‹Èj‘¼ ”¨’†—Ç•ãŽwŠö
y“Œ‘åz wRequiemx ‘O“cKŽs˜YŽwŠöC—L”nŒöŽqP@uKyriev‘¼
y–@­z w@‹³‹ÈxiPalestrina ì‹Èj “c’†MºŽwŠö@uHodie Christus natus estv‘¼
‹¤—§u“°
8‰ñ˜Z˜A
( 1959.6.6 )
( 1959.6.7 )
sº˜a 34”Nt
y‘ˆî“cz w•l—ì‰Ìx ˆé•”˜æŽwŠö@uLet my poeple gov‘¼
y—§‹³z w@‹³‹Èx •z’JŸ–çŽwŠö@uKyriev‘¼
y–¾Ž¡z w–ö‰Í•—‘­Žxi–kŒ´”’HìŽC‘½“c••Fì‹Èj HŽR“úo•vŽwŠö
y–@­z wƒƒVƒA–¯—wxi“c’†Mº•Ò‹Èj “c’†MºŽwŠö@u‚Æ‚à‚µ‚сv‘¼
y“Œ‘åz wƒhƒCƒc@‹³‹ÈxiHans Georg Nageli ì‹Èj ‘O“cKŽs˜YŽwŠö@uMotettov‘¼
yŒcœäz w•xŽmŽRxi‘–ìS•½ìŽC‘½“c••Fì‹Èj/wŽO‚‚̑­‰Ìxi–kŒ´”’HìŽC´…ãùì‹Èj •ìO‹BŽwŠö
y‡“¯z wŒŽŒõ‚ƃsƒGƒxi–xŒû‘å›{ìŽC´…ãùì‹Èj ‘O“cKŽs˜YŽwŠö
‹¤—§u“°
7‰ñ˜Z˜A
( 1958.6.14 )
( 1958.6.15 )
sº˜a 33”Nt
yŒcœäz wŠ^‚̉́xi‘–ìS•½ìŽC“ìO–¾ì‹Èj –؉º•ÛŽwŠö
y—§‹³z w‘‘Œµƒ~ƒTxiƒAƒ‹ƒx[ƒ‹Eƒfƒ…ƒI[ƒpì‹Èj ”äŠéˆê•FŽwŠö
y–¾Ž¡ ¬º‡¥z wƒWƒvƒV[‚̉́xiƒuƒ‰[ƒ€ƒXì‹Èj “ñ–“¼Žl˜YŽwŠöC’†“‡˜aŽqP
y–@­z w“ú–{‚Ì“Jxi–kŒ´”’HìŽC•½ˆäNŽO˜Yì‹Èj ”’’¹“oŽu—YŽwŠöC‘ºŽR‹v—¢P
y“Œ‘åz wƒhƒCƒc–¯—wWx ‘O“cKŽs˜YŽwŠö@uErlaube mir, fein's mädchenv‘¼
y‘ˆî“cz u‚«‚‚˂Ƃ©‚키‚»vi›–ì_˜aì‹Èj‘¼ ˆé•”˜æŽwŠö
‹¤—§u“°
6‰ñ˜Z˜A
( 1957.6.1 )
( 1957.6.2 )
sº˜a 32”Nt
y—§‹³z uPlorate, filii IsraelviGiacome Carissimi ì‹Èj‘¼ ‹e’r´—²ŽwŠö
y“Œ‘åz uThe Blue-Bells of Scotlandvi‰p‘–¯—wj‘¼ ‘å’Ø–ÎŽwŠö
y‘ˆî“cz w•l—ì‰Ìx ˆé•”˜æŽwŠö@uLord I want two wingsv‘¼
y–¾Ž¡ ¬º‡¥z wƒ}ƒŠƒA‚̉́xiƒuƒ‰[ƒ€ƒXì‹Èj “ñ–“¼Žl˜YŽwŠö@u“VŽg‚̈¥ŽAv‘¼
yŒcœäz w“ú–{‘nì‹Èx ‹às‰p•ãŽwŠö@uH‚Ì“ú•é‚êv(‹ß“¡“fDìŽC•½ˆäNŽO˜Yì‹Èj‘¼
y–@­z wƒƒVƒA–¯—wxi“c’†Mº•Ò‹Èj “c’†•ÛºŽwŠö@uƒRƒTƒbƒN‚̔߉́v‘¼
“ú–{Â”NŠÙ
5‰ñ˜Z˜A
( 1956.6.23 )
( 1956.6.24 )
sº˜a 31”Nt
yŒcœäz w”ª‚‚̃tƒ‰ƒ“ƒX–¯—wxiƒv[ƒ‰ƒ“ƒNì‹Èj ‰ªO“¹ŽwŠö
y–@­z u…•v‚̃ZƒŒƒi[ƒfviEmerson ì‹Èj‘¼ ’Ë–{‹g¬ŽwŠö
y—§‹³z uMotetteviVittoria ì‹Èj‘¼ ‰³”¦Œ’Ž¡ŽwŠö
y–¾Ž¡ ¬º‡¥z u“~‚Í‹Ž‚è‚āviƒIƒ‰ƒ“ƒ_–¯—wj‘¼ “ñ–“¼Žl˜YŽwŠö
y“Œ‘åz uDie NachtviSchubert ì‹Èj‘¼ ‘O“cKŽs˜YŽwŠö
y‘ˆî“cz wŽl‚‚̃ƒVƒA”_–¯‚̉́xiƒXƒgƒ‰ƒ”ƒBƒ“ƒXƒL[ì‹Èj ˆé•”˜æŽwŠö
y‡“¯z uDie Ehre Gottes aus der NaturviL. Von Beethoven ì‹Èj ‘O“cKŽs˜YŽwŠö
“ú–{Â”NŠÙ
4‰ñ˜Z˜A
( 1955.6.22 )
( 1955.6.23 )
sº˜a 30”Nt
yƒG[ƒ‹ŒğŠ½z
y–@­z w“ú–{“¶—wx ’Ë–{‹g¬ŽwŠö@uŽµ‚‚̎q‚̃tƒ@ƒ“ƒ^ƒW[v‘¼
y—§‹³z uAdoramus TeviPlestrina ì‹Èj‘¼ ÎŠÛŠ°ŽwŠö
y‘ˆî“cz wŒŽŒõ‚ƃsƒGƒxi–xŒû‘å›{ìŽC´…ãùì‹Èj ˆé•”˜æŽwŠö
y–¾Ž¡ ¬º‡¥z uMaliedviM. Hauptman ì‹Èj‘¼ “ñ–“¼Žl˜YŽwŠö
yŒcœäz wƒw[ƒK[‡¥‹ÈWx ’r“c•¶—YŽwŠö@u—[‚ׁv‘¼
y“Œ‘åz wŽO‚‚̑­‰Ìxi´…ãùì‹Èj ‘O“cKŽs˜YŽwŠö
y‡“¯z uJesu dulcisviThomas Luis de vittoria ì‹Èj ÎŠÛŠ°ŽwŠö
“ú–{Â”NŠÙ
3‰ñ˜Z˜A
( 1954.6.7 )
( 1954.6.8 )
sº˜a 29”Nt
yƒG[ƒ‹ŒğŠ½z
y‘ˆî“cz wNegro Spiritualsx {‰êŒhˆêŽwŠö@uNobody Knows de Trouble I've Seenv‘¼
yŒcœäz u‚¨ˆãŽÒ‚³‚ñviƒhƒCƒc–¯—wj‘¼ ²X–ؒʐ³ŽwŠö
y–@­z uUntil the Dawnv‘¼ ’Ë–{‹g¬ŽwŠö
y–¾Ž¡ ¬º‡¥z wƒˆƒnƒlŽó“ï‹ÈxiJoh. Seb. Bach ì‹Èj •óˆä^ˆêŽwŠö@uChoral No.27v‘¼
y“Œ‘åz wƒuƒ‰[ƒ€ƒXì•iWx ‘O“cKŽs˜YŽwŠö@u”ü‚µ‚¢–º‚³‚ñv
y—§‹³z u“ú‚Í•é‚ê‚ʁviA. Sallivan ì‹Èj‘¼ ‹e’r‰p¢ŽwŠö
y‡“¯z uHeiden RösleinviH/ Werner ì‹Èjˆé•”˜æŽwŠö
“ú”ä’JŒö‰ï“°

_“c‹¤—§u“°

2‰ñ˜Z˜A
( 1953.6.7 )
sº˜a 28”Nt
yƒG[ƒ‹ŒğŠ½z
y‘ˆî“cz wNegro Spiritualsx ‘å–ؗэôŽwŠö@uCouldn't hear nobody prayv‘¼
yŒcœäz uMl‚ÌŽqŽç‰Sviƒoƒ“ƒr[ì‹Èj‘¼ ‹àˆä­KŽwŠö
y–¾Ž¡ ¬º‡¥z u‘厛‚́viMŽžŒ‰ì‹Èj‘¼ •óˆä^ˆêŽwŠö
y–@­z uƒIƒŒƒOŒöviƒƒVƒA–¯—wj‘¼ ¼”g’ôŽl˜YŽwŠö
y“Œ‘åz wFoster Melodiesx Œ´“c–«ŽwŠö@uMy old Kentucky homevuGood nightv‘¼
y—§‹³z uAve verum corpusviWilliam Byrd ì‹Èj‘¼ –Ø‘º³ºŽwŠö
y‡“¯z u‘å’n‚̉́viƒGƒXEƒNƒŠƒ…[ƒRƒtì‹ÈCÎŠÛŠ°•Ò‹Èj‘¼
“ú”ä’JŒö‰ï“°
1‰ñ˜Z˜A
( 1952.6.9 )
sº˜a 27”Nt
yƒG[ƒ‹ŒğŠ½z
yŒcœäz wƒhƒCƒc–¯—wWx “c’†ŽÀŽwŠö@u‰ƒ‚É—ˆ‚Ü‚¹v‘¼
y“Œ‘åz wƒhƒCƒcEƒ~ƒTxiƒVƒ…[ƒxƒ‹ƒgì‹Èj •äâ’¼OŽwŠö@uZum Eingangv‘¼
y–¾Ž¡ ¬º‡¥z uKunst der FugoviL“c”üŽõXìŽŒCMŽžŒ‰ì‹Èj‘¼ •óˆä^ˆêŽwŠö
y–@­z u–ì‚΂çviH. Wernerì‹Èj‘¼ ¼”g’ôŽl˜YŽwŠö
y—§‹³z uChristus factusestviG. P. ga Palestrina ì‹Èj‘¼ ’߉ª—zˆêŽwŠö
y‘ˆî“cz w•l—ì‰Ìx ’؈äG•vŽwŠö@uKeep in the middle of the roadv‘¼
y‡“¯z u¡—lvi“ú–{ŒÃ—wC“Œ‹žƒŠ[ƒ_[ƒ^[ƒtƒFƒ‹•Ò‹Èj‘¼ HŽR“úo•vŽwŠö
“ú”ä’JŒö‰ï“°


b’艉bŽl˜Ab˜Z˜AbƒJƒŒƒbƒWEƒ\ƒ“ƒObOB‡¥’cb‹ÈW–¼ƒŠƒXƒgbæ¶”N•ˆbŠwŽwŠö—ñ“`bƒz[ƒ€‚ցb